: P. G. Wodehouse
: Psmith, Journalist
: Phoemixx Classics Ebooks
: 9783986474621
: 1
: CHF 4.80
:
: Politische Soziologie
: English
: 177
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Psmith, Journalist P. G. Wodehouse - Continuing the adventures of the silver-tongued Psmith, one of Wodehouses best loved characters, and his friend Mike Jackson. The story begins with Psmith accompanying his fellow Cambridge student Mike to New York on a cricketing tour. Through high spirits and force of personality, Psmith takes charge of a minor periodical, and becomes imbroiled in a scandal involving slum landlords, boxers and gangsters - the story displays a strong social conscience, rare in Wodehouses generally light-hearted works.

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career.An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him 'English literature's performing flea', a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend.Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

CHAPTER IV — BAT JARVIS


Billy Windsor lived in a single room on East Fourteenth Street. Space in New York is valuable, and the average bachelor's apartments consist of one room with a bathroom opening off it. During the daytime this one room loses all traces of being used for sleeping purposes at night. Billy Windsor's room was very much like a public-school study. Along one wall ran a settee. At night this became a bed; but in the daytime it was a settee and nothing but a settee. There was no space for a great deal of furniture. There was one rocking-chair, two ordinary chairs, a table, a book-stand, a typewriter—nobody uses pens in New York—and on the walls a mixed collection of photographs, drawings, knives, and skins, relics of their owner's prairie days. Over the door was the head of a young bear.

Billy's first act on arriving in this sanctum was to release the cat, which, having moved restlessly about for some moments, finally came to the conclusion that there was no means of getting out, and settled itself on a corner of the settee. Psmith, sinking gracefully down beside it, stretched out his legs and lit a cigarette. Mike took one of the ordinary chairs; and Billy Windsor, planting himself in the rocker, began to rock rhythmically to and fro, a performance which he kept up untiringly all the time.

"A peaceful scene," observed Psmith."Three great minds, keen, alert, restless during business hours, relax. All is calm and pleasant chit-chat. You have snug quarters up here, Comrade Windsor. I hold that there is nothing like one's own roof-tree. It is a great treat to one who, like myself, is located in one of these vast caravanserai—to be exact, the Astor—to pass a few moments in the quiet privacy of an apartment such as this."

"It's beastly expensive at the Astor," said Mike.

"The place has that drawback also. Anon, Comrade Jackson, I think we will hunt around for some such cubby-hole as this, built for two. Our nervous systems must be conserved."

"On Fourth Avenue," said Billy Windsor,"you can get quite good flats very cheap. Furnished, too. You should move there. It's not much of a neighbourhood. I don't know if you mind that?"

"Far from it, Comrade Windsor. It is my aim to see New York in all its phases. If a certain amount of harmless revelry can be whacked out of Fourth Avenue, we must dash there with the vim of highly-trained smell-dogs. Are you with me, Comrade Jackson?"

"All right," said Mike.

"And now, Comrade Windsor, it would be a pleasure to me to peruse that little journal of which you spoke. I have had so few opportunities of getting into touch with the literature of this great country."

Billy Windsor stretched out an arm and pulled a bundle of papers from the book-stand. He tossed them on to the settee by Psmith's side.

"There you are," he said,"if you really feel like it. Don't say I didn't warn you. If you've got the nerve, read on."

Psmith had picked up one of the papers when there came a shuffling of feet in the passage outside, followed by a knock upon the door. The next moment there appeared in the doorway a short, stout young man. There was an indescribable air of toughness about him, partly due to the fact that he wore his hair in a well-oiled fringe almost down to his eyebrows, which gave him the appearance of having no forehead at all. His eyes were small and set close together. His mouth was wide, his jaw prominent. Not, in short, the sort of man you would have picked out on sight as a model citizen.

His entrance was marked by a curious sibilant sound, which, on acquaintance, proved to be a whistled tune. During the interview which followed, except when he was speaking, the visitor whistled softly and unceasingly.

"Mr. Windsor?" he said to the company at large.

Psmith waved a hand towards the rocking-chair."That," he said,"is Comrade Windsor. To your right is Comrade Jackson, England's favourite son. I am Psmith."

The visitor blinked furtively, and whistled another tune. As he looked round the room, his eye fell on the cat. His face lit up.

"Say!" he said, stepping forward, and touching the cat's collar,"mine, mister."

"Are you Bat Jarvis?" asked Windsor with interest.

"Sure," said the visitor, not without a touch of complac