: P. G. Wodehouse
: Something New
: Phoemixx Classics Ebooks
: 9783985946402
: 1
: CHF 3.60
:
: Klassische Sprachwissenschaft / Literaturwissenschaft
: English
: 230
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Something New P. G. Wodehouse - 'Something New' is a novel by P. G. Wodehouse. The novel introduces Lord Emsworth of Blandings Castle, whose home and family reappear in many of Wodehouse's later short stories and novels. P.G. Wodehouse introduces us to the delightfully dotty Lord Emsworth, his bone-headed younger son, the Hon. Freddie Threepwood, his long-suffering secretary, the Efficient Baxter, and Beach the Blandings butler.

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him 'English literature's performing flea', a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

"How long would it take me to get together that number of the things?" Mr. Peters inquired, when, having looked his fill on the dullest assortment of objects he remembered ever to have seen, he was preparing to take his leave.

The specialist was proud of his collection."How long? To make a collection as large as mine? Years, Mr. Peters. Oh, many, many years."

"I'll bet you a hundred dollars I'll do it in six months!"

From that moment Mr. Peters brought to the collecting of scarabs the same furious energy which had given him so many dollars and so much indigestion. He went after scarabs like a dog after rats. He scooped in scarabs from the four corners of the earth, until at the end of a year he found himself possessed of what, purely as regarded quantity, was a record collection.

This marked the end of the first phase of—so to speak—the scarabaean side of his life. Collecting had become a habit with him, but he was not yet a real enthusiast. It occurred to him that the time had arrived for a certain amount of pruning and elimination. He called in an expert and bade him go through the collection and weed out what he felicitously termed the"dead ones." The expert did his job thoroughly. When he had finished, the collection was reduced to a mere dozen specimens.

"The rest," he explained,"are practically valueless. If you are thinking of making a collection that will have any value in the eyes of archeologists I should advise you to throw them away. The remaining twelve are good."

"How do you mean—good? Why is one of these things valuable and another so much punk? They all look alike to me."

And then the expert talked to Mr. Peters for nearly two hours about the New Kingdom, the Middle Kingdom, Osiris, Ammon, Mut, Bubastis, dynasties, Cheops, the Hyksos kings, cylinders, bezels, Amenophis III, Queen Taia, the Princess Gilukhipa of Mitanni, the lake of Zarukhe, Naucratis, and the Book of the Dead. He did it with a relish. He liked to do it.

When he had finished, Mr. Peters thanked him and went to the bathroom, where he bathed his temples with eau de Cologne.

That talk changed J. Preston Peters from a supercilious scooper-up of random scarabs to what might be called a genuine scarab fan. It does not matter what a man collects; if Nature has given him the collector's mind he will become a fanatic on the subject of whatever collection he sets out to make. Mr. Peters had collected dollars; he began to collect scarabs with precisely the same enthusiasm. He would have become just as enthusiastic about butterflies or old china if he had turned his thoughts to them; but it chanced that what he had taken up was the collecting of the scarab, and it gripped him more and more as the years went on.

Gradually he came to love his scarabs with that love, surpassing the love of women, which only collectors know. He became an expert on those curious relics of a dead civilization. For a time they ran neck and neck in his thoughts with business. When he retired from business he was free to make them the master passion of his life. He treasured each individual scarab in his collection as a miser treasures gold.

Collecting, as Mr. Peters did it, resembles the drink habit. It begins as an amusement and ends as an obsession. He was gloating over his treasures when the maid announced Lord Emsworth.

A curious species of mutual toleration—it could hardly be dignified by the title of friendship—had sprung up between these two men, so opposite in practically every respect. Each regarded the other with that feeling of perpetual amazement with which we encounter those whose whole viewpoint and mode of life is foreign to our own.

The American's force and nervous energy fascinated Lord Emsworth. As for Mr. Peters, nothing like the earl had ever happened to him before in a long and varied life. Each, in fact, was to the other a perpetual freak show, with no charge for admission. And if anything had been needed to cement the alliance it would have been supplied by the fact that they were both collectors.

They differed in collecting as they did in every