: Marie Corelli
: The Sorrows of Satan
: Books on Demand
: 9782322434572
: 1
: CHF 4.40
:
: Fantasy
: English
: 608
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
On the surface the plot follows the story of a penniless, starving author called Geoffrey Tempest. So poor that he is behind on his rent and can barely afford light in his room, he receives three letters. The first is from a friend in Australia who has made his fortune and offers to introduce him to a good friend who might be able to lift him from poverty. The second is a note from a solicitor detailing that he has inherited a fortune from a deceased relative. The third is a letter of introduction from a foreign aristocrat called Lucio, who befriends him and proceeds to be his guide in how best to use his newfound wealth. Tempest remains blissfully unaware throughout the novel, despite warnings from people he meets, that Lucio is the earthly incarnation of the Devil. Over the course of the book, his wealth leads to misery. Eventually, when confronted with the true nature of his companion, he renounces evil and returns to society penniless but content with the chance to purify his soul. Although the plot follows Tempest's fall from grace and subsequent redemption, he is in many regards a secondary character to Lucio. Both the title of the work and much of its philosophical content relate to the supreme yearning within Satan to achieve salvation. The book's main contribution to Faustian literature is the introduction of the concept that above all other people it is Satan who most truly believes in the Gospel, and yet he is forbidden ever to partake of it.

Mary Mackay, also called Minnie Mackey, and known by her pseudonym Marie Corelli was an English novelist. From the appearance of her first novel A Romance of Two Worlds in 1886, she became the bestselling fiction-writer in England,[citation needed] her works largely concerned with Christianity, reincarnation, astral projection and mysticism. Yet despite her many distinguished patrons, she was often ridiculed by critics. Corelli lived her later years in Stratford-upon-Avon, whose historic buildings she fought hard to preserve.

Chapter 1


 

Do you know what it is to be poor? Not poor with the arrogant poverty complained of by certain people who have five or six thousand a year to live upon, and who yet swear they can hardly manage to make both ends meet, but really poor,—downright, cruelly, hideously poor, with a poverty that is graceless, sordid and miserable? Poverty that compels you to dress in your one suit of clothes till it is worn threadbare,—that denies you clean linen on account of the ruinous charges of washerwomen,—that robs you of your own self-respect and causes you to slink along the streets vaguely abashed, instead of walking erect among your fellow-men in independent ease,—this is the sort of poverty I mean. This is the grinding curse that keeps down noble aspiration under a load of ignoble care; this is the moral cancer that eats into the heart of an otherwise well-intentioned human creature and makes him envious and malignant, and inclined to the use of dynamite. When he sees the fat idle woman of society passing by in her luxurious carriage, lolling back lazily, her face mottled with the purple and red signs of superfluous eating,—when he observes the brainless and sensual man of fashion smoking and dawdling away the hours in the Park as if all the world and its millions of honest hard workers were created solely for the casual diversion of the so-called 'upper' classes,—then the good blood in him turns to gall and his suffering spirit rises in fierce rebellion crying out—"Why in God's name, should this injustice be? Why should a worthless lounger have his pockets full of gold by mere chance and heritage, while I, toiling wearily from morn till midnight, can scarce afford myself a satisfying meal ?''

Why indeed! Why should the wicked flourish like a green bay-tree? I have often thought about it. Now however I believe I could help to solve the problem out of my own personal experience. But … such an experience! Who will credit it? Who will believe that anything so strange and terrific ever chanced to the lot of a mortal man? No one. Yet it is true;—truer than much so-called truth. Moreover I know that many men are living through many such incidents as have occurred to me, under precisely the same influence, conscious perhaps at times that they are in the tangles of sin, but too weak of will to break the net in which they have become voluntarily imprisoned. Will they be taught, I wonder, the lesson I have learned? In the same bitter school, under the same formidable taskmaster? Will they realize as I have been forced to do,—aye, to the very fibres of my intellectual perception,—the vast, individual, active Mind,which behind all matter, works unceasingly, though silently, a very eternal and positive God? If so, then dark problems will become clear to them, and what seems injustice in the world will prove pure equity! But I do not write with any hope of either persuading or enlightening my fellow-men. I know their obstinacy too well; —I can gauge it by my own. My proud belief in myself was, at one time, not to be outdone by any human unit on the face of the globe. And I am aware that others are in similar case. I merely intend to relate the various incidents of my career in due order exactly as they happened,—leaving to more confident heads the business of propounding and answering the riddles of human existence as best they may.

During a certain bitter winter, long remembered for its arctic severity, when a great wave of intense cold spread freezing influences not alone over the happy isles of Britain, but throughout all Europe, I, Geoffrey Tempest, was alone in London and well-nigh starving. Now a starving man seldom gets the sympathy he merits,—so few can be persuaded to believe in him. Worthy folks who have just fed to repletion are the most incredulous, some of them being even moved to smile when told of existing hungry people, much as if these were occasional jests invented for after-dinner amusement. Or, with that irritating vagueness of attention which characterizes fashionable folk to such an extent that when asking a question they neither wait for the answer nor understand it when given, the well-dined groups, hearing of some one starved to death will idly murmur ' How dreadful!' and at once turn to the discussion of the latest 'fad' for killing time, ere it takes to killing them with sheer ennui. The pronounced fact of being hungry sounds coarse and common, and is not a topic for polite society, which always ea