: P. G. Wodehouse
: The Girl on the Boat
: Phoemixx Classics Ebooks
: 9783985945917
: 1
: CHF 4.80
:
: Gegenwartsliteratur (ab 1945)
: English
: 377
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
The Girl on the Boat P. G. Wodehouse - The Girl on the Boat features red-haired, dog-loving Wilhelmina 'Billie' Bennet, and the three men, a long-time friend and admirer of Billie, a lily-livered poet who is engaged to Billie at the opening of the tale, and his dashing cousin, who falls for Billie at first sight. All four find themselves on an ocean liner headed for England together, and typically Wodehousian romantic shenanigans ensue.

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career.An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him 'English literature's performing flea', a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend.Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

CHAPTER II.
GALLANT RESCUE BY WELL-DRESSED YOUNG MAN


§ 1


The White Star liner “Atlantic” lay at her pier with steam up and gangway down, ready for her trip to Southampton. The hour of departure was near, and there was a good deal of mixed activity going on. Sailors fiddled about with ropes. Junior officers flitted to and fro. White-jacketed stewards wrestled with trunks. Probably the captain, though not visible, was also employed on some useful work of a nautical nature and not wasting his time. Men, women, boxes, rugs, dogs, flowers, and baskets of fruits were flowing on board in a steady stream.

The usual drove of citizens had come to see the travellers off. There were men on the passenger-list who were being seen off by fathers, by mothers, by sisters, by cousins, and by aunts. In the steerage, there was an elderly Jewish lady who was being seen off by exactly thirty-seven of her late neighbours in Rivington Street. And two men in the second cabin were being seen off by detectives, surely the crowning compliment a great nation can bestow. The cavernous Customs sheds were congested with friends and relatives, and Sam Marlowe, heading for the gang-plank, was only able to make progress by employing all the muscle and energy which Nature had bestowed upon him, and which during the greater part of his life he had developed by athletic exercise. However, after some minutes of silent endeavour, now driving his shoulder into the midriff of some obstructing male, now courteously lifting some stout female off his feet, he had succeeded in struggling to within a few yards of his goal, when suddenly a sharp pain shot through his right arm, and he spun round with a cry.

It seemed to Sam that he had been bitten, and this puzzled him, for New York crowds, though they may shove and jostle, rarely bite.

He found himself face to face with an extraordinarily pretty girl.

She was a red-haired girl, with the beautiful ivory skin which goes with red hair. Her eyes, though they were under the shadow of her hat, and he could not be certain, he diagnosed as green, or may be blue, or possibly grey. Not that it mattered, for he had a catholic taste in feminine eyes. So long as they were large and bright, as were the specimens under his immediate notice, he was not the man to quibble about a point of colour. Her nose was small, and on the very tip of it there was a tiny freckle. Her mouth was nice and wide, her chin soft and round. She was just about the height which every girl ought to be. Her figure was trim, her feet tiny, and she wore one of those dresses of which a man can say no more than that they look pretty well all right.

Nature abhors a vacuum. Samuel Marlowe was a susceptible young man, and for many a long month his heart had been lying empty, all swept and garnished, with “Welcome” on the mat. This girl seemed to rush in and fill it. She was not the prettiest girl he had ever seen. She was the third prettiest. He had an orderly mind, one capable of classifying and docketing girls. But there was a subtle something about her, a sort of how-shall-one-put-it, which he had never encountered before. He swallowed convulsively. His well-developed chest swelled beneath its covering of blue flannel and invisible stripe. At last, he told himself, he was in love, really in love, and at first sight, too, which made it all the more impressive. He doubted whether in the whole course of history anything like this had ever happened before to anybody. Oh, to clasp this girl to him and....

But she had bitten him in the arm. That was hardly the right spirit. That, he felt, constituted an obstacle.

“Oh, I’m so sorry!” she cried.

Well, of course, if she regretted her rash act.... After all, an impulsive girl might bite a man in the arm in the excitement of the moment and still have a sweet, womanly nature....

“The crowd seems to make Pinky-Boodles so nervous.”

Sam might have remained mystified, but at this juncture there proceed