: John O'Hara
: Delphi Classics
: Delphi Complete Works of John O'Hara Illustrated
: Delphi Publishing Ltd
: 9781801702805
: 1
: CHF 3.10
:
: Erzählende Literatur
: English
: 6965
: DRM
: PC/MAC/eReader/Tablet
: ePUB

One of America's most prolific writers of short stories, John O'Hara helped develop 'The New Yorker' magazine story style. His large body of works represent a sprawling social history of upwardly mobile Americans from the 1920s through to the 1960s. A best-selling novelist by the age of thirty, he penned such modern masterpieces as 'Appointment in Samarra' and 'BUtterfield 8'. His work won the admiration of Ernest Hemingway, F. Scott Fitzgerald and John Updike. Today, he is recognised by many as one of the most under-appreciated American writers of the twentieth century. For the first time in publishing history, this eBook presents O'Hara's complete fictional works, with numerous illustrations, rare texts, concise introductions and the usual Delphi bonus material. (Version 1)



* Beautifully illustrated with images relating to O'Hara's life and works
* Concise introductions to the major texts
* All 17 novels, with individual contents tables
* Many rare novels appearing for the first time in digital publishing
* Even includes 'The Second Ewings', the unfinished sequel, never digitised before!
* Images of how the books were first published, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* All the short story collections, including the posthumous collections, available in no other collection
* Special chronological and alphabetical contents tables for the short stories
* Easily locate the stories you want to read
* Includes O'Hara's two non-fiction books - available in no other collection
* Ordering of texts into chronological order and genres



CONTENTS:



The Novels
Appointment in Samarra (1934)
BUtterfield 8 (1935)
Hope of Heaven (1938)
Pal Joey (1940)
A Rage to Live (1949)
The Farmers Hotel (1951)
Ten North Frederick (1955)
A Family Party (1956)
From the Terrace (1958)
Ourselves to Know (1960)
The Big Laugh (1962)
Elizabeth Appleton (1963)
The Lockwood Concern (1965)
The Instrument (1967)
Lovey Childs (1969)
The Ewings (1972)
The Second Ewings (1972)



The Short Story Collections
The Doctor's Son and Other Stories (1935)
Files on Parade (1939)
Pipe Night (1945)
Hellbox (1947)
Sermons and Soda Water (1960)
Assembly (1961)
The Cape Cod Lighter (1962)
The Hat on the Bed (1963)
The Horse Knows the Way (1964)
Waiting for Winter (1966)
And Other Stories (1968)
The Time Element and Other Stories (1972)
Good Samaritan and Other Stories (1974)



The Short Stories
List of Short Stories in Chronological Order
List of Short Stories in Alphabetical Order



The Non-Fiction
Sweet and Sour (1954)
My Turn (1966)

2


JULIANENGLISHSNAPPED awake, and knew that he had beaten the arrival of Mary, the maid, by one step. He was correct: Mary appeared in the doorway and said: “Mrs. English says it’s eleven o’clock, Mr. English.” In a lower key she add: “Merry Christmas, Mr. English.”

“Merry Christmas, Mary. Did you get your envelope?”

“Yes, sir. Mrs. English give it to me. Thank you very kindly, and my mother says to tell you she made a novena for you and Mrs. English. Shill I close the windows?”

“Yes, will you please?” He lay back until Mary left the room. Such a pretty day. Bright; and there were icicles, actually icicles, hanging in the middle of the windows. With the holly wreath and the curtains they made you think of a Christmas card. It was quiet outside. Gibbsville, the whole world, was resting after the snow. He heard a sound that could mean only one thing; one of the Harley kids next door had a new Flexible Flyer for Christmas, and was trying it out belly-bumpers down the Harley driveway, which was separated from the English driveway only by a two-foot hedge. It would not take long for the room to get warm, so he decided to lie in bed for a few minutes.

There ought to be more days like this, he thought. Slowly, without turning his head, he pulled himself up to a half sitting position and reached out for the package of Lucky Strikes on the table between his bed and Caroline’s bed. Then he remembered to know better than to look in the direction of Caroline’s bed — and looked. He was right again: Caroline had not slept in her bed. Everything returned to him then, as though in a terrible, vibrating sound; like standing too near a big bell and having it suddenly struck without warning. His fingers and his mouth lit a cigarette; they knew how. He was not thinking of a cigarette, for with the ringing of that bell came the hangover feeling and the remorse. It took him a little while, but eventually he remembered the worst thing he had done, and it was plenty bad. He remembered throwing a drink at Harry Reilly, throwing it in his fat, cheap, gross Irish face. So now it was Christmas and peace on earth.

He got out of bed, not caring to wait for warmth and luxury. His feet hit the cold hardwood floor and he stuck his toes in bedroom slippers and made for the bathroom. He had felt physically worse many times, but this was a pretty good hangover. It is a pretty good hangover when you look at yourself in the mirror and can see nothing above the bridge of your nose. You do not see your eyes, nor the condition of your hair. You see your beard, almost hair by hair; and the hair on your chest and the bones that stick up at the base of your neck. You see your pajamas and the lines in your neck, and the stuff on your lower lip that looks as though it might be blood but never is. You first brush your teeth, which is an improvement but leaves something to be desired. Then you try Lavoris and then an Eno’s. By the time you get out of the bathroom you are ready for another cigarette and in urgent need of coffee or a drink, and you wish to God you could afford to have a valet to tie your shoes. You have a hard time getting your feet into your trousers, but you finally make it, having taken just any pair of trousers, the first your hands touched in the closet. But you consider a long, long time before selecting a tie. You stare at the ties; stare and stare at them, and you look down at your thighs to see what color suit you are going to be wearing. Dark gray. Practically any tie will go with a dark gray suit.

Julian finally chose a Spitalsfield, tiny black and white figure, because he was going to wear a starched collar. He was going to wear a starched collar because it was Christmas and he was going to have Christmas dinner with his father and mother at their house. He finally finished dressing and when he saw himself in a full-length glass he still could not quite look himself in the eye, but he knew he looked well otherwise. His black waxed-calf shoes gleamed like patent leather. He put the right things in the right pockets: wallet, watch and chain and gold miniature basketball and Kappa Beta Phi key, two dollars in silver coins, fountain pen, handkerchiefs, cigarette case, leather key purse. He looked at himself again, and wished to God he could go back to bed, but if he should go back to bed he would only think, and he refused to think until after he had had some coffee. He went downstairs, holding on to the banister on the way down.

As he passed the living-room he saw a piled row of packages, obviously gifts, on the table in the middle of the room. But Caroline was not in the room, so he did not stop. He went back to the dining-room and pushed open the swinging-door to the butler’s pantry. “Just some orange juice and coffee, Mary, please,” he said.

“The orange juice is on the table, Mr. English,” she said.

He drank it. It had ice, g