: Stephen Lambe
: Focus In The 1970s The Music Of Jan Akkerman and Thijs Van Leer
: Sonicbond Publishing
: 9781789524529
: 1
: CHF 4.40
:
: Musik
: English
: 144
: DRM
: PC/MAC/eReader/Tablet
: ePUB

For a few short years in the 1970s, the unique music of Focus entertained the world. Built around the prodigious instrumental talents of Dutch masters Jan Akkerman (guitar) and Thijs van Leer (keyboards and flute), the band produced three classic hit albums in quick succession, at the same time scoring two worldwide hits with 'Sylvia' and 'Hocus Pocus'. The latter piece is as ubiquitous as tunes from the 70s get, distinctive for Akkerman's famous riff and van Leer's yodelling. Musical and personal tensions between the two lead to a split in early 1976 and the band limped on until 1978. However, the decade also saw other many projects, with Akkerman moving into jazzier territory while van Leer had huge success with his Introspection series of light classical, flute-orientated albums.
Stephen Lambe's book guides the reader through the band's early history year by year, dealing with all eight Focus albums song by song, while also giving the same treatment to Akkerman and van Leer's other work during the decade. It is an important potted history of the band and an insight into the tensions which lead to such a creative - if short lived - peak. But it also acts as an essential guide to the astonishing music the two men made while at the apex of their powers.
Stephen Lambe is an author, publisher, festival organiser and journalist. An acknowledged expert on progressive rock, his books include: Yes - on track (Sonicbond, 2018) and the best-selling Citizens Of Hope and Glory: The Story Of Progressive Rock (Amberley, 2011). He lives in Tewkesbury, Gloucestershire, UK.

Chapter3

1970 – Focus Play Focus


If we were to stumble across the members of Focus in very early January 1970, what might be their circumstances? For a start, it’s most likely they would be freezing. The four members of the band were acting as the pit band for the Dutch production ofHair in a tent near the Olympic Stadium on the outskirts of Amsterdam. This was not ideal for any of them, least of all, one must imagine, Jan, for whom playing the same mundane arrangements night after night must have been something of a trial. But it was a paid gig, and it did allow them to rehearse their own live set during the day – and all day on Monday, which was a day off for the show.

Those who have heard the Dutch soundtrack to the 1970 production of Hair (the author could not track it down) suggest that there’s almost nothing of the Focus that we would come to know and love in these recordings. The show did allow a free-for-all improvisation with the audience allowed onstage at the end of the show, however, allowing the band to let off steam. It was around this time that the group name of Focus was first coined. As Thijs told Peet Johnson:

My mother was reading a philosophy book to me when I was young, and she said, in English, ‘to focus upon’ and I asked her, ‘what is ‘to focus upon’? She said it means ‘to direct, to concentrate’.

It’s a beautiful name. It creates an image of a nice, warm, cosy family, but I also wanted to focus on the human mind. I thought that there is perhaps a form of music that can be a catalyst to help people focus and deal with their own problems [as opposed to music that acts just as a way of blotting them out].

These were high ideals indeed and not lacking in pretension. But there is little doubt that no band has ever sounded quite like Focus, even if – ultimately – such ideals were only occasionally fulfilled in practice. The book his mother quoted from was written by Hazrat Inayat Khan, the Indian-born musician, teacher and founder of the Sufi order, who we will meet again as the lyricist of ‘Moving Waves’ via one of his poems.

‘The Shrine Of God’ (Shaffy) b/w ‘Watch The Ugly People’ (van Leer, Shaffy) – Ramses Shaffy With The Focus Band

Personnel:

Ramses Shaffy: vocals

Thijs van Leer: keyboards, flute

Jan Akkerman: guitar

Hans Cleuver: drums

Martijn Dresden: bass

Produced by Hans van Hemert

Recorded by Albert Kos at Phonogram Studio, Hilversum, 6 and 16 October, 25 November, 4 and 16 December 1969, 7 January 1970. (Thanks to Wouter Bessels for credits)

Available as part of the Focus 50 Years Anthology