: Peter Gallagher
: Marc Bolan and T. Rex Every Album, Every Song
: Sonicbond Publishing
: 9781789523904
: 1
: CHF 8.40
:
: Musik
: English
: 160
: DRM
: PC/MAC/eReader/Tablet
: ePUB

For many, T. Rex founder Marc Bolan remains forever frozen in time as the poster boy of glam, the pop-rock genre he effectively launched with his March 1971 Top of the Pops appearance to promote 'Hot Love', the band's first number one single. But this is to view him through too narrow a focus. In John's Children he flirted with modernist art-rock. He sang folk songs of an otherworldly England in Tyrannosaurus Rex. He became a teen idol while dominating the singles and album charts and he also experimented with his unique brand of interstellar soul. Finally, he proclaimed himself 'The Godfather Of Punk' and became its patron, touring with The Damned and giving several major new wave acts their first television exposure.
This book examines all aspects of Bolan's career, from the genre-defying My People Were Fair And Had Sky In Their Hair... through the transitional A Beard Of Stars and T. Rex albums, the misunderstood Zinc Alloy and the Hidden Riders of Tomorrow and the should-have-been comeback Futuristic Dragon. Along the way, it discusses Unicorn, the defining document of the Tyrannosaurus Rex years, and the essential T. Rex trilogy of Electric Warrior, The Slider and Tanx.


During the day Peter Gallagher is a lecturer in Events Management, but at night can be found scribbling away in his man-cave. Having talked about writing for decades it is only recently he decided to do something about it, with 2020 seeing the publication of his first short story and the commissioning of his first book. His favourite bands include T. Rex, The Ramones, and The Sensational Alex Harvey Band, none of whom he has seen in concert. He Lives in Glasgow, Scotland.

Chapter1

Toby Tyler, Marc Bolan, and John’s Children


Marc Bolan was born Mark Feld on 30 September 1947 at Hackney Hospital, London, to Simeon (Sid) and Phyllis. His older brother, and only sibling, Harry had been born two years previously.

The Britain that Mark grew up in bore no similarity to the fey, magical Albion celebrated in his later lyrics for Tyrannosaurus Rex. Stoke Newington, where the family lived in north-east London, was, like the rest of the city, dotted with vacant lots, some razed, most still strewn with debris, grim reminders of the Luftwaffe’s unwelcome attention during World War Two. The Felds lived in a small, rented two-bedroom flat that had no hot running water and was heated by a single coal fire. Harry and Mark’s bedroom pulled double duty, serving as the living room during the day. Their flat did at least have an indoor toilet, still a luxury in late 1940s Britain.

But a new-found optimism for the future was changing the country. The National Health Service was founded the year after Mark was born. 1951 saw the Festival of Britain, a five-month celebration of post-war recovery where, according to Labour cabinet member Herbert Morrison, the Festival’s prime mover, British people could give ‘themselves a pat on the back.’ In 1952, the year young Mark Feld first attended Northwold Road Primary School, 25-year-old Elizabeth II ascended the British throne, ushering in what many proclaimed to be ‘a new Elizabethan age.’ And in 1957, the year of Suzie and The Hula-Hoops’ brief and possibly fictitious career (see below), Prime Minister Harold MacMillan famously told Britons they ‘had never had it so good.’

Additionally, two very different yet entirely interconnected phenomena which were to have a profound social and cultural effect marked the 1950s apart from its predecessors.

The first was Rock and Roll. Like many others, Mark’s introduction to this exciting new music came via Bill Haley and His Comets, and, also like many others, he soon graduated to Elvis Presley, The Everly Brothers, Buddy Holly, Little Richard, Eddie Cochran, and Gene Vincent. He was an early fan of Cliff Richard and the Drifters (as the Shadows were then known), and the fact that England was now producing rock stars would have been a source of excitement and inspiration.

At the age of nine, he talked his mother into buying him a guitar, and the following year he joined his first group, Suzie and The Hula-Hoops, although it is telling that none of the other members, including future chart-topper Helen Shapiro, recall that, or any other, name. The ‘Suzie’ tag appears to be an after- the-fact Bolan invention, an early example of the self-mythologising he would become so adept at.

Helen Shapiro reached number one in the UK singles chart twice in 1961, with ‘You Don’t Know’ and ‘Walkin’ Back to Happiness’, and the fact that someone he knew could become a pop star opened up a world of possibilities for Mark. If she could do it, surely he could too?

However, according to friends at the time, it was clothes and not music that was Mark’s primary obsession. He was a teenager, that other g