: Martyn Hanson
: Hoggin' the page Groundhogs - the classic years
: Sonicbond Publishing
: 9781789523843
: 1
: CHF 4.40
:
: Musik
: English
: 192
: DRM
: PC/MAC/eReader/Tablet
: ePUB

The story of the Groundhogs spans the most exciting years British rock will ever enjoy. Springing from the same early roots as the Animals, Pretty Things and Rolling Stones, they soon garnered a reputation as a blues band backing the likes of John Lee Hooker and many other giants of the genre. From this solid base, they graduated to writing some of the most challenging progressive music of the 1960s and 1970s, even though the next generation of musicians like Captain Sensible and others were fans.


   They were led by visionary guitarist, singer and songwriter Tony McPhee (who sadly passed away in 2023, age 79), abetted by the powerhouse rhythm section of Ken Pustelnik and Pete Cruickshank. Legendary DJ John Peel was a big fan and helped to send theirSplit album into the UK top five.


   Other albums such asThank Christ For The Bomb,Who Will Save The World,Hogwash andSolidcemented their reputation and their thirteen studio albums span four decades. Tony's adventures as a pioneer of the synthesizer, taking it on the road on a solo tour and building one of the first home studios to record with it, shows another side to the complex McPhee that is far less widely known, understood and, as a result, appreciated.


   This is the story of those classic years.


 


The author


Martyn Hanson was born in 1956 and married Carole in 1978. They have two grown-up children and are grandparents. Martyn ran many marathons in the 1980s and 1990s, also completing the famous London to Brighton road race twice. He co-authoredELP - The Show That Never Ends in 2000 followed by four solo projects.Hang on to a Dream - The Story of The Nice was published in 2002.Hoggin' The Pagewas originally published in 2005. He has also written two books on Jon Hiseman - Colosseum's founder:Playing The Band - A Musical Biography andJon Hiseman's Journey in the Time Machine - Album by Album. He has also written many CD/vinyl liner notes. He lives in Solihull, UK.

Chapter2

The House Of Blues


He had a dramatic impact on the band.

Pete Cruickshank’s verdict on Tony joining The Dollarbills

It is rock history’s duty to attempt to make amends for all these lives of injustice and misery; while white rock musicians strutted in the hallways of five-star hotels earning money from music that was not

really of their own making, the true composers were neither recognised nor recompensed.

Chambers Rock Music Guide

Apart from John Cruickshank on vocals, later on harmonica, there was also his brother, Pete, on bass guitar. John Lockyear made up the rest of The Dollarbills – he played lead guitar. It was no exaggeration to say that John Cruikshank was the acknowledged leader of the band. In joining the band, Tony teamed up for the first time with John’s younger brother. It was the beginning of a lifelong association. Pete Cruickshank was born in India on 2 July 1945. His grandfather had gone to India to take over a mill. His father was born on the steamship on the way over. Things didn’t go well and his father ended up in an orphanage at the age of four. When he was older, his father joined the RAF, where he met Pete’s mother, who was a teacher. They got married in India. In 1955, the family left India and came to England in order to give their children a better education.

Pete’s mother was a classically trained musician who was trained at the Royal Academy in London. There was always some sort of music going on in the household. He remembers hearing classical music, and although he didn’t like it, he believed it subconsciously made an impression on him. As was expected, his elder brother, John, was very interested in becoming a musician and he acquired a drum kit. All his other friends had acquired guitars and the young Pete also got one.

However, being the youngest in the group had distinct disadvantages: ‘All the others were a lot more advanced than me. I was always making up ground. We needed a bass player, so I decided that it would be something that would give me a unique identity. I paid £20 for a Tuxedo bass guitar.’

The young Pete Cruickshank liked Gene Vincent, Elvis Presley and The Everley Brothers; one of his favourite tracks was ‘Cathy’s Clown’(April 1960). The brothers rehearsed in their front room in Wallbutton Road, Brockley, South London. But even this produced problems, as Pete revealed: ‘My parents were incredibly tolerant. They did have people knocking on the door about the noise. They told us to turn it down, but we would carry on playing. In fact, we had a ‘nasty’ put through the letterbox.’ It was clear that the parents were giving the children as much artistic encouragement as they could.

The brothers didn’t have a name for their band. However, one thing was for certain: John Cruickshank was a useless drummer, so he decided to concentrate on singing. They drafted in Dave Boorman on drums.

They decided to call themselves The Dollarbills in deference to the concept of ‘all things American had to be good’. It seemed logical as all the artists they liked were from there. They played their first gig at the famous 2I’s coffee bar in London. They journeyed there on the train and taxi. As Pete Cruickshank remembered with a big grin on his face: ‘We thought we were going to be stars. We carried our gear around London without any covers! We didn’t even have covers for the drums.’ By this time, John Lockyear was struggling as lead guitarist.

Pete Cruickshank, meanwhile, had his own personal problems. In 1961, Pete started work as an apprentice fitter. He didn’t really have his heart in it: ‘My dad forced me to sign the papers. He sai