: Hannah Dale
: A Wilding Year Bringing life back to the land
: Batsford
: 9781837330331
: 1
: CHF 10.80
:
: Naturführer
: English
: 176
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Follow Hannah Dale's deeply personal journey as she returns her Lincolnshire farm to nature, celebrating the return of an astonishing variety of wildlife. Hannah Dale, the artist and founder of the award-winning nature-centric gift company Wrendale Designs, takes you through a year on her farm in rural Lincolnshire where, alongside her husband, she has undertaken an ambitious rewilding project. Together, they are attempting to return the land to nature and increase the number of species their land is able to support. A Wilding Year explores how one family have been able to embrace the beauty to be found in untidy landscapes, heralding the return of skylarks, meadow pipits, hobbies, polecats and many more species to their farm. The land was originally claimed from marshy wetlands, and leaning into the land's natural inclination to be wet has also yielded amazing ponds and pond life. This rewilding journey has also provided Hannah with new sources of inspiration for her paintings. A Wilding Year is both a journal and a sketchbook, in which Hannah keeps a visual record of the incredible variety of species she finds on the farm. This fascinating account of a year spent in nature brings to life the beauty and power of wildlife in every season.

Hannah Dale runs Wrendale Designs, a stationery and gift design company which specialises in endearing illustrations depicting British wildlife. Her other Batsford titles include: A Dog's Life, The Farmyard Set The Young Ones, The Country Set, Born to be Wild and Flying The Nest. Hannah lives in rural Lincolnshire and her work is inspired by the beautiful surrounding countryside. She can be found on social media @wrendaledesigns and is also a trained zoologist.

March


It’s chilly and damp but there are signs everywhere that spring is jostling to take over from winter. Swollen leaf buds adorn bare branches, full of the promise of verdancy just around the corner. Snowdrops are tired and withered after their early exertions while delicate crocuses are enjoying their time in the sun and fresh shoots, bold with the confidence of youth, are emerging everywhere. The hedgerows are already full of birdsong, the melancholy fluting of song thrushes providing a backdrop for the robin’s soprano, while a wren loudly demands to be heard.

Over at the sett, the badgers have been indulging in some spring cleaning. Bundles of discarded bedding have been dragged out and abandoned in jumbled piles. It’s likely that somewhere underneath my feet the sows are tenderly nursing their newly born cubs who will stay safely tucked away in their subterranean cocoon until April.

Kestrels, defying gravity above the farm, are a common sight. When vole numbers are abundant, a kestrel’s territory is relatively small, so it’s a promising sign that the farm is able to support several pairs. Apparently untroubled by our presence, a young male kestrel has settled around the house and roosts on a convenient waste pipe that runs above our sitting room window. The result is an impressive, chalky white abstract masterpiece on the window below and a collection of small furry pellets studded with tiny bones. During the day, his favourite perch is at the top of a high wall that marks the boundary between the garden and The Park, an old established grassland. Years of enrichment had resulted in lush grass that could support higher numbers of beef cattle but the loss of a myriad of delicate and diverse meadow flowers that were unable to compete with the vigorous grass or excessive grazing. Over the last few years, we have taken the cattle off the land and harvested a cut of hay late each summer to help remove some fertility from the soil. It is clear that the land still holds the memories of its past life, and in the first spring that the grazing pressures were lifted we were rewarded with an explosion of pignut flowers covering the entire field, lacy little umbellifers that had been waiting patiently for a chance to bloom. Each year, increasing numbers of flowers are tentatively emerging, and we are seeing the return of cowslips, great burnet, ragged robin, viper’s bugloss, buttercups and even the occasional orchid. The area is still dominated by grass and there is a long way to go but we’re slowly coaxing the old meadow to reawaken. It is the kestrel’s preferred hunting ground and this is where he likes to sit and survey his kingdom. Today, it appears that something unusual has caught his eye.

Before I see them, I hear the starlings. Hundreds of individual voices chattering away create a monotone clamour quite unlike any other sound on the farm. Like some kind of biblical swarm, the air is suddenly filled with little torpedos that land with a swift motion on the grass, and the entire garden is eclipsed by the noisy mob. With frenzied haste, the starlings furiously raid the lawn for any unsuspecting grubs, all the while maintaining their chaotic conversations. Iridescent hues shimmer on the ground – purples, blues, greens and blacks glinting and glimmering in the sunlight. An unexpected movement by the kestrel on the wall sets into motion a perfectly coordinated chain reaction, accompanied by a whooshing sound like a wave breaking on the shore, as hundreds of wings beat the air in unison. The cloud of birds lifts, waxing and waning like a shimmering shoal of fish, moving to the rhythm of an unseen conductor. I hold my breath as I watch the swirling, swooping shape.

As quickly as th