: Griffin Hansbury
: Some Strange Music Draws Me In
: Daunt Books
: 9781914198755
: 1
: CHF 8.50
:
: Erzählende Literatur
: English
: 376
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
It's summer, 1984, in blue-collar Swaffham, Massachusetts. Mel is thirteen, drinking a Slush Puppie at the drugstore, when she hears a voice, 'deep and movie-star dramatic, like Lauren Bacall': Sylvia Sylvia's shameless swagger and tough-girl trans femininity sparks fury among her new neighbours and throws Mel into conflict with her mother and her best friend. But it is also a catalyst for Mel. She comes to realise that not only is there a world beyond Swaffham, there are other ways of being. Narrating this blistering coming-of-age tale from 2019 is Max - formerly Mel - who is on leave from his job for defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past. Some Strange Music Draws Me In is a compassionate, gripping and emotionally charged narrative, peopled by an unforgettable cast of characters bound in electrifying relationships. Griffin Hansbury's elegant and fearless prose dares to explore taboos around gender and class as he offers a deeply moving portrait of friendship, family and a girlhood lived sideways. A timely and captivating narrative of self-realisation amid the everyday violence of small-town intolerance, Some Strange Music Draws Me In builds to an explosive conclusion, illuminating the unexpected ways that difference can provide a ticket to liberation.

Griffin Hansbury is the author of Vanishing New York and Feral City (as Jeremiah Moss). Winner of a Pushcart Prize, his writing has appeared in n+1, The New York Times, and The New Yorker online. An internationally published psychoanalyst specialising in transgender, he lives and works in New York City.

It happened that green and crazy summer when I was thirteen years old. A stolen first line, slightly altered, because I’m not much of a writer, but I have been something of a thief. And a liar. I might as well admit that up front. It was a lie and a theft that made everything go haywire that summer.

I cribbed the line from Carson McCullers’The Member of the Wedding. At the moment when it happened, or at least when it began to happen, that paperback was jammed in the back pocket of my denim cut-offs as I sat on the dirty, carpeted floor of the Swaffham Towne Drug, reading teen magazines. Syrupy tang of blue Slush Puppie on my tongue. Mosquito bites stippling my legs. I want to remember myself as I was then, a girl that is difficult to grasp. What did she look like? My prize article of clothing was a pair of Nike high-tops, kept hospital white with a bottle of foamy polish. Nikes weren’t cheap and I had to make them last. Everything else I wore was off-brand or hand-me-down: my wayward older sister’s Lee dungarees cut into shorts, a Michael Jackson baseball tee from Bradlees discount department store, a trucker hat with Pac-Man on the front clapped over my unruly mess of hair. I wasn’t good at hair, didn’t know what to do with it, how other girls achieved feathered wings and lift. But I had good skin. Everyone said so. ‘You have good skin,’ they’d say, admiring what one woman at the Jordan Marsh cosmetics counter called ‘peaches and cream’. I was a winter, dark haired with light skin that didn’t tan, but only burned and peeled back to paper white. I blushed so intensely, people would laugh and tell me I was bright red, making me blaze with deeper embarrassment. As for my body, it was an unknowable zone, an overlarge assemblage of limb and belly that felt like a thing of its own making, mostly disappointing, incapable of climbing fences or playing baseball, incompetent at dancing, too heavy in its steps. Heaviness had always been with me. When skipping rope in first grade gym class, the teacher scolded me to be light on my feet. By junior high, my mother prayed that I would stop growing: ‘So you don’t turn into a glump like your big aunt Beverly.’ My aunt Shirley, the smaller, told me I walked like a truck driver. I didn’t mean to. That was just the way my body propelled itself through space. My shape, that enigmatic packaging, had its own design and cared nothing about anyone’s objections, including my own. However the message came, the world confirmed what I felt, that my body was off in its most essential calibrat