: Paul Tremblay
: Horror Movie
: Titan Books
: 9781803364308
: 1
: CHF 8.90
:
: Erzählende Literatur
: English
: 352
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
'Slasher movies are seen by some as kitschy fun, but this is a seriously disturbing novel, delving into the sacrifices art demands, psychological trauma and how monsters are made. Sometimes painful reading, it's also incredibly gripping, smart and scary.' The Guardian The New York Times bestseller! Includes bonus content - see concept notes and pages from Tremblay's notebooks. The monster at the heart of a cult 90s cursed horror film tells his shocking and bloody secret history. Slow burn terror meets high-stakes showdowns, from the bestselling author of A Head Full of Ghosts and The Cabin at the End of the World. Summer, 1993 - a group of young guerrilla filmmakers spend four weeks making Horror Movie, a notorious, disturbing, art-house horror film. The weird part? Only three of the film's scenes were ever released to the public. Steeped in mystery and tragedy, the film has taken on a mythic renown. Decades later, a big budget reboot is in the works, and Hollywood turns to the only surviving cast member - the man who played 'the Thin Kid', the masked teen at the centre of it all. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the crossed lines on set. Caught in a nightmare of masks and appearances, facile Hollywood personalities and fan conventions, the Thin Kid spins a tale of past and present, scripts and reality, and what the camera lets us see. But at what cost do we revisit our demons? After all these years, the monster the world never saw will finally be heard.

Paul Tremblay has won the Bram Stoker and British Fantasy awards and is the author of Disappearance at Devil's Rock, A Head Full of Ghosts, The Cabin at the End of the World, Growing Things, Survivor Song and The Little Sleep and No Sleep Till Wonderland omnibus. He is currently a member of the board of directors for the Shirley Jackson Awards, and his essays and short fiction have appeared in Entertainment Weekly.com, and numerous year's-best anthologies. He lives outside Boston with his family.

THEN:


THE PITCH PART 1


3


In mid-April of 1993 Valentina left a message on my apartment’s answering machine. We hadn’t talked for almost two years. She got the phone number from my mother, who was awful free with those digits, if you ask me. Valentina said she had a proposition, laughed, apologized for laughing, and then she assured me the proposition was serious. How could I resist?

She and I didn’t go to college together, but we’d met as undergrads. I bused tables and worked at Hugo’s in Northampton, a bar that was close enough to campus that my shitbox car could survive the drive and far enough away that I wouldn’t have to deal with every knucklehead who went to my school. One weeknight when the bar wasn’t packed, I was stationed by the door and pretended to read a dog-eared copy ofNaked Lunch (cut me some slack, Hugo’s was that kind of place in that kind of town), and Valentina showed up with two friends. Her dark, curly hair hung over her eyes. She wore a too-big flannel shirt, the sleeves hiding her hands until she wanted to make a point, then she pointed and waved those hands around like they were on fire. She was short, even in her thick-heeled combat boots, but she had physical presence, gravitas; you knew when she entered or left the room. I checked her ID and made a clever quip about the whimsy of her exaggerated height on her government-issued identification card. She retaliated by snatching my book and chucking it into the street, which was fair. Later, she and I ended up playing pool, awkwardly made out in a dark corner, and exchanged phone numbers. We hung out a few times after that, but more often we’d run into each other as regulars at Hugo’s. I was happy to be the weird guy (“Weird Guy” was what she called me) from the state school who occasionally entered her orbit. My comet-like appearances made me seem more interesting than I was. I graduated from the University of Massachusetts–Amherst with a communications degree and student loans that I would default on twice. She graduated from Amherst College—much more prestigious and expensive than Zoo Mass. Postgraduation, I’d figured our paths would never cross again.

When I returned Valentina’s call, our chat was brief. She wouldn’t tell me what the proposition was over the phone, so I agreed to meet her and her friend Cleo at a restaurant on Bridge Street in Providence that weekend. My car (the same beater I’d had in college) barely made the trip down from Quincy, Massachusetts. It had a standard transmission and when on the highway I’d have to hold the gear shift in fifth or it would pop out into neutral. On the ride back, I gave up and drove 70 in fourth gear. I miss that loyal little car.

A restaurant called the Fish Company overlooked the inky Providence River. Too late for lunch, too early for dinner, the place was more than half-empty on a cloudy but warm Sunday midafternoon. I was fifteen minutes late, but I had no problem finding Valentina and Cleo sitting outside, on the wooden dock patio, away from prying ears. They had an open binder on their table, pages filled with rough sketches boxed within long rectangles. I would learn later that Valentina had storyboarded the entire movie, shot by shot. Next to Cleo a paper grocery bag occupied an empty chair. Upon my approach, Cleo slid the chair closer to her, communicating that I wasn’t to displace the bag. Valentina closed the binder and stashed it in an army-surplus backpack.

She greeted me with “What’s up, Weird Guy?”

Aside from the beanie atop her curly hair, Valentina’s appearance hadn’t changed much at first blush. After a minute of catch-up chatter, it was clear she’d become an adult, or more adult than me, anyway. The twitchy glances, look-aways, and the we-don’t-know-who-we-are-yet-but-I-hope-other-people-like-me half smiles we were all made of in college had hardened and sharpened into confidence of purpose but not yet disappointment. Maybe it was a mask. We all wear them. I got nervous because it appeared that whatever their proposition was must be a serious one. I wasn’