: Paul E. Hardisty
: The Descent The shocking, visionary climate-emergency thriller - prequel to the critically acclaimed THE FORCING
: Orenda Books
: 9781916788046
: 1
: CHF 8.50
:
: Science Fiction
: English
: 300
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
A young man and his young family set out on a perilous voyage across a devastated planet to uncover the origin of the events that set the world on its course to disaster ... The prescient, deeply shocking prequel to the bestselling, critically acclaimed Climate Emergency thriller, The Forcing. `Paul Hardisty is a visionary´ Luke McCallin `A superbly handled tale of struggle and survival in a maimed world´ The Times `Paul Hardisty is a fine writer´ Lee Child ___________ Kweku Ashworth is a child of the cataclysm, born on a sailboat to parents fleeing the devastation in search for a refuge in the Southern Ocean. Growing up in a world forever changed, his only connection to the events that set the planet on its course to disaster were the stories his step-father, long-dead, recorded in his manuscript, The Forcing. But there are huge gaps in his stepfather's account, and when Kweku stumbles across a clandestine broadcast by someone close to the men who forced the globe into a climate catastrophe, he knows that it is time to find out for himself. Kweku and his young family set out on a perilous voyage across a devastated planet. What they find will challenge not only their faith in humanity, but their ability to stay alive. The devastating, nerve-shattering prequel to the critically acclaimed thriller The Forcing, a story of survival, hope, and the power of the human spirit in a world torn apart by climate change. ________ ***** `The cataclysmic climate-emergency thriller we all need to read ... this is where it all begins. My heart was in my mouth every second of the way´ Reader Review `Compelling, concerning and completely engrossing ... a book that demands your attention and your action. A must-read´ Jen Med's Book Reviews Praise for The Forcing `Provocative and insightful, visceral and terrifying´ SciFi Now `Announces Paul E. Hardisty as the true heir to John Christopher´ Tim Glister `A novel that might have actually predicted our future´ Ewan Morrison `The book I've been waiting and hoping for...´ Paul Waters `A riveting eco-thriller [that] paints a realistic picture of our future if society as a whole continues to ignore scientific warnings about global warming´ Crime Fiction Lover `Fierce, thoughtful, deeply humane and always compelling´ David Whish-Wilson

Canadian Paul E Hardisty has spent 25 years working all over the world as an engineer, hydrologist and environmental scientist. He has roughnecked on oil rigs in Texas, explored for gold in the Arctic, mapped geology in Eastern Turkey (where he was befriended by PKK rebels), and rehabilitated water wells in the wilds of Africa. He was in Ethiopia in 1991 as the Mengistu regime fell, and was bumped from one of the last flights out of Addis Ababa by bureaucrats and their families fleeing the rebels. In 1993 he survived a bomb blast in a café in Sana'a. Paul is a university professor and CEO of the Australian Institute of Marine Science (AIMS). The first four novels in his Claymore Straker series, The Abrupt Physics of Dying, The Evolution of Fear, Reconciliation for the Dead and Absolution all received great critical acclaim and The Abrupt Physics of Dying was shortlisted for the CWA John Creasey (New Blood) Dagger and Telegraph Thriller of the Year. Paul is a sailor, a private pilot, keen outdoorsman, conservation volunteer, and lives in Western Australia.

Maybe it’s because of the message on the short-wave. Or maybe it’s the anniversary of Papa’s death that has dredged this all up again, this feeling, these half-formed memories. Whatever it is, I wake in the morning from the dream, the one I have been having for years now. It’s hard to explain, but it’s more than some random feeling, or a vague sense of displacement. There are big holes in my life. I know that now. I can feel them, as real as the heart beating inside me.

I swim out toProvidence, tied up on her mooring in our cove, and look through her log books, ranks of blue-bound hardcover volumes, the spines faded by decades of sun, the oldest frayed and worn, the ones yet to be used hard and crisp still, despite the years.

They go all the way back to her original owner, Daniel Menzels – to before the Repudiation, to before Papa stole her, or whatever he called what he did. But that’s another story. Papa’s entries begin in July 2039, the day he and Mum and Derek Argent escaped from a religious cult leader and his followers on the Gulf Coast of the United States. The days from then are numbered sequentially from one until day 124, when the log book is full, the entries detailed and precise in Papa’s neat, legible hand. And then nothing again until a new log book starts six years later, as if nothing has changed. Papa’s chronology is missing exactly 2,190 days. Everything from the moment they left Belize until they arrived here. Our whole transit across the Pacific, along the south coast of Australia. And then the log restarts: our trips as a family along this coast, those Lewis and I took alone, the solo trips I did as Papa got older, all recorded in book after book. But all of that time – those first five years aboardProvidence, my birth, Lewis’s – all of it gone.

Later that afternoon, after a full day’s work with Lewis, cutting and hauling windfall from the forest behind the ridge, I walk down the hill and find Mum in her garden. I’ve been thinking about it all day, and I don’t even greet her. I just walk up to her and ask her. ‘What happened after you and Papa left Belize, Mum?’

She narrows her eyes, sets aside her hoe.

‘I know you were pregnant with me and that I was born on the boat. But other than that, you’ve told us almost nothing.’

I can still remember some of it, vague childhood memories of sitting at the bow, watching the dolphins ride the wave, the silver darts of flying fish springing from the water, the way the silver droplets dripped from their translucent wings. And then there are the dreams. And the nightmares.

She looks surprised, stands brushing