: Anne Kelly
: Textile Portraits People and Places in Textile Art
: Batsford
: 9781849948944
: 1
: CHF 20.60
:
: Hobby, Haus
: English
: 128
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
SHORTLISTED in The Creative Book Awards 2024. A creative and beautiful book packed with inspiring ideas to help you capture likenesses and explore personalities in stitch, from a well-loved textile artist. Anne Kelly's evocative and nostalgic work often incorporates portraits - of friends, family, historical figures and even pets. Within these pages she shares her approach to textile portraiture, bringing in a wealth of different embroidery techniques, including hand and machine embroidery, quilting and appliqué, to render in cloth the nuances of facial expressions and the personalities of her subjects. The book covers:• Selfies at Home: making the perfect self-portrait in cloth.• Representation and Culture: how portraits have been used in textile art for cultural expression around the world.• Stylized Imagery: going beyond the traditional portrait into abstraction.• Place and Time: creating a sense of place with portraiture, sometimes incorporating photographs.• Narratives: how to create a fuller story using deeply personal ephemera and related imagery.• Pet Projects: immortalising your pets in your textile work. Beautifully illustrated with stunning examples of her own work and that of intriguing textile artists who specialise in portraiture from around the world, this is the ideal book for embroiderers and textile artists who want to introduce this often tricky subject area into their work. 

Anne Kelly is a textile artist and tutor. She trained in Canada and the UK and now teaches and speaks to guilds and groups. Her work is exhibited widely in solo and group exhibitions, including private collections in the UK and abroad, the Vatican Collection in Rome and at the Textile Museum of Canada in Toronto, and she was artist-in-residence at Sussex Prairie Garden in West Sussex and exhibited at the international World of Threads Festival and the Prague Patchwork Meeting. She is the author of several books published by Batsford: Textile Portraits, Textile Nature, Textile Folk Art and Textile Travels, and was the co-author with Cas Holmes of Connected Cloth. She lives in Tunbridge Wells, Kent.

Anne Kelly,Tools for Selfies, mixed-media inspiration board.

Self-Portraits

The global Covid-19 pandemic of recent years truncated our activities by necessity, and home has become a focus for many aspects of our lives. As well as introspection, it has served perhaps to let us focus more deeply on our relationships. In this chapter we are starting with self-portraits and family pictures, not just in the traditional sense but also as indicators of our mental and physical relationships.

I find the easiest way to prepare for making a portrait in stitch is to begin with a drawing. Whether made from life or by using a photograph, it is always a great starting point, and enables you to make notes on details such as skin tone and hair, clothing, lighting and posture. In Portraiture 101, I provide some simple tips for drawing faces (start small, then progress to a larger scale when you feel more confident), while Making a Self-Portrait on Cloth offers a step-by-step guide to help ease you into the making process, including mixing skin tones to add colour, which certainly can be daunting.

From there, we’ll be looking at artists who use line to create stitch portraits, starting with the family theme. How to plan and create meaningful compositions while looking at faces and features will also be covered, as will artists who use colour for further definition. Adding colour to portraiture can be complex but rewarding, bringing depth and texture to work, enabling the artist to highlight features in both the portrait and the surroundings. A personal take on self-portraiture and interiors is explored, too.

Anne Kelly,Self-Portrait (detail), mixed-media textile on canvas.

Anne Kelly, sketchbook pages, mixed media on paper.

Anne Kelly, self-portrait, pen on paper.

Portraiture 101

Start with an outline of theface:

» Notice the face shape – is it round or more oval?

» Ears are located about halfway down the head.

» The top of the eyelid is parallel to the top of the ear.

Anne Kelly, drawings for eyes, nose and mouth, pen on paper.

Locate theeyes, nose andmouth:

» Draw a faint dotted line down the centre of the face, and draw two lines across to divide the face into thirds.

» The spacing between the eyes is important, as is that between the nose and mouth.

» Draw the features in tentatively to start with, then more firmly when you are happy with them.

Making a Self-Portrait on Cloth

To make a self-portrait on cloth, you will need a photo or drawing of your head and shoulders and an A4-sized piece of calico or sheeting fabric. Equip yourself with acrylic or fabric paints and a mixing palette to experiment with mixing up your skin tone colour.

1 Take the image of your head and shoulders and use a marker pen to draw around the main lines of the portrait.

2 Trace it onto the fabric with tracing paper, then outline the face with a waterproof pen.

3 Mix up your skin tone colour, referring to the skin tone samples (right). For lighter skin tones, use white as a base; for medium and dark tones, use a peach or beige. Add a hint or more of yellow, pink or brown as required. Test on a scrap of fabric or paper, and dry it off to see the finished colour.

Anne Kelly, self-portrait with background, pen