: Alys Conran
: Pigeon
: Parthian Books
: 9781910901595
: 1
: CHF 6.40
:
: Erzählende Literatur
: English
: 268
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Shortlisted for the 2017 Dylan Thomas Prize. Lola and Pijin make up stories to test each other, stories of daring and adventure, of bad people and of Gwyn who drives his ice-cream up the hill to their town every week. Gwyn is a dangerous man and Pijin knows it. Lola is not so sure. As they grow up and their friendship grows more complicated, some of their stories fall silent, but some will come true. Pigeon is a journey through the uneasy half-forgotten memories of childhood, a story about wishful-thinking and the power of language.

Alys Conran's fiction, poetry, and translations have been placed in several competitions, including The Bristol Short Story Prize and The Manchester Fiction Prize. Having previously studied Literature at Edinburgh, she completed her MA in Creative Writing at Manchester. She also ran projects to increase access to creative writing and reading among traditionally excluded groups in north Wales. She was recently awarded a scholarship to write a second novel.

4

Pigeon scuffs around the town, thinking of Gwyn, until the thoughts turn so smudged they’re black like something burnt and ruined. When that happens, Pigeon starts peering in through people’s windows, looking for light. He’s a scavenger, a scavenger for comfort. Day to day to day, Pigeon drags his feet around his pebble-dashed kingdom. Non-descript, gloomy, at the wrong end of nowhere. Perhaps.

But below the grey domain of this hill, the patchwork fields stretch their expanse of emerald down, sloping to a silver sea of torn paper waves. And above, above the hill, there are the crouching mountains, with their lakes, like broken mirrors wedged between valleys, and along the tops of the plaited ridges there’s that trembling, pencil-line horizon. It’s worth a second look. Just briefly.

So here, here’s Pigeon again. Here, grey. Just a sketch the boy. His face is sallow. There’s a snarl at his lips, and his shoulders are delicate as eggshells. Pigeon, here on the hill, wanders the pebble-dash, pebbled ash, scuffing his feet up the hill, and then up between the houses.

Pigeon goes right up to the top of the hill. To where you can sit and look down at the town all spread out like a handkerchief. Pigeon spits at it. He can spit a long way now, but still, the gob of spit lands on the grass just below him, and the town is still there. Pigeon sits on the hill, legs crossed, watching the day turning slowly. When his legs are cold through the school trousers, Pigeon stands, shakes out his legs and starts back down, for the town, the houses in their higgledey rows. He walks back into it. Into the pattern of the town, and scuffs along the streets between the shapes of the houses.

He stops at one that’s off balance. It’s skiw wiff. Crooked. Bits and pieces of it shoot out in all directions, like a peculiar, mangled space ship. It’s Pigeon’s house. Outside is Pigeon’s shed. That’s Pigeon’s hole.

Pigeon avoids the house, and goes straight round to his shed.

Back in the good days the house was chaotic, a tangle of words and arguments, and conversations even, and even fun.

Like this very particular day, back then, in the house, in spring. It was her birthday, and Pigeon’s mam had put on such a beautiful dress, and, in the dress, she was spinning and spinning in the kitchen, so that the pretty flowers on the dress streaked through the air, and a dish was knocked off the draining board by the spinning flowers on the dress. And that day she just laughed, that day, and her laugh, it was easy, like a soft breeze. So pretty, Pigeon’s mam, like a ghost, but pretty.

Pigeon can remember that day. Pigeon can still remember, and he tells his mam about it, sitting on his bed in the shed in the falling night this Sunday. And she’s quiet, but she strokes his hair as he lies his head on her lap, as he talks. And her hands are soft as feathers, so that Pigeon doesn’t know if they’re there at all. Her han