: Sybille Bedford
: Pleasures and Landscapes
: Daunt Books
: 9781907970412
: 1
: CHF 8.50
:
: Europa
: English
: 168
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
'Bedford's ability to recreate landscape is matched only by her appetite for mouth-watering descriptions of exotic food . . . She cannot write a dull page.' -- Financial Times 'The Naples boat was on time. Lightly one stepped ashore, and, after a brief, slow ascent, emerged into Piazza still warm under a late afternoon sun.' In these eight evocative and transcendent essays, Sybille Bedford chronicles her adventures through Europe over a thirty year period. With her elegant prose and razor sharp insight, Bedford takes us on a propulsive journey -dropping us into the passenger seat as she drives to meet Martha Gellhorn in Capri, taking us across the wind-swept piazzas of Venice in winter, and tantalizing our taste buds with a tour of the vineyards of Bordeaux. Packed with extraordinary excitement, Bedford shows us the world through her eyes - the eyes of a seasoned traveller - in all its beauty and wonder. Pleasures and Landscapes is a satisfyingly sensuous literary expedition told by one of the greatest travel writers of the 20th Century. 'When the history of modern prose in English comes to be written, Sybille Bedford will have to appear in any list of its most dazzling practitioners.' -- Bruce Chatwin 'Bedford writes of the lure of the sensual life, the picnics, lobster salad, hock and seltzer and going to the opera, in Italy, in summer . . .' -- Times

Sybille Bedford was born in 1911 in Charlottenburg, Germany, the daughter of a German father and an English mother. She grew up in Italy, France and England. The account of her travels in Mexico A Visit to Don Otavio was her first published book in 1953, and she followed it with three novels, A Legacy (1956), A Favourite of the Gods (1963) and A Compass Error (1968). Her semi-autobiographical novel, Jigsaw, was shortlisted for the Booker Prize in 1989. Her memoir, Quicksands, was published in 2005. Sybille Bedford died in 2006.

A Homecoming


CAPRI 1948

THE NAPLES BOAT was on time. The crossing – it was May – had not been too gruelling. Lightly one stepped ashore and into the funicular, and, after a brief, slow ascent, emerged into Piazza still warm under a late afternoon sun.

I was elated. To be back, to be back anywhere in those days – the year was 1948 – felt a miracle. One responded with a delirious sense of freedom, rediscovery, renewal: the Europe for so long known to be held down in agony and chaos, so long believed lost to us, possibly forever, was beginning to be regained. I had spent – immense privilege – the winter in Italy, Venice first, then Florence, and was now living, somewhat precariously, in a backstreet hotel in Rome. I had stayed up late the night before – all hours were precious – then left at dawn, driving south chanting poetry to myself in the car I had been entrusted to deliver. By full morning, when the near-empty road (not much legitimate petrol around then) glared before me, I had to fight drowsiness till at one point there was a great jolt and I came to with the front wheel already off the road and was just able to wrench the car back on course. Jolted hard myself, I stopped – I had missed the ditch, a milestone, a tree. Out of nowhere women arose from a field crying, ‘Mamma mia.’ I braced myself to inspect the damage, but no – no dent, no buckled mudguard, no burst tyre; the poor old Morris looked unscathed. I was not quite so sure about the steering as I drove on, slowly now, with circumspection, and contrite, appalled by my irresponsibility.This was not my car. Another hundred and forty kilometres to go, out of some two hundred and fifty. The prospect seemed long … The dawn jaunt had turned into a slow, hot, anxious drive.

In the end I got there. I left the car as arranged, in a garage considered – as far as is possible in Naples – one of the less blatantly dishonest ones, and instructed them to check and, if necessary, repair the steering (the bill to go to me). After that, lunching with a friend, the young British Vice Consul, I got my second wind. Constantine Fitz-Gibbon was with us, and Theodora – we were all high with the same postwar joy of being where we were, and I only just caught the boat to Capri.

On boarding, Constantine left me with a pill he said he’d got off a German officer he’d taken prisoner during the Italian campaign. It was a largish capsule, a bit tacky by now, issued reputedly to keep a man efficient and alert for forty-eight hours or more without sleep. Constantine seemed to think I might need it before the day was out (I had told him whom I’d have to face). Recklessness had returned: I accepted the pill, wrapped it in a scrap of tissue, and put it in my pocket.

And now there was Capri. The island looked itself. One point about the war was that where it had not destroyed, it had conserved. Craters and ruins, yes, but no new excrescences (yet): for five and a half years the developers had been kept at bay. And in Piazza there was the usual crowd, native and tourist, assembled to wait and watch the boat arrive and passengers appear. To my surprise and pleasure I saw Martha Gellhorn. I had not expected her to meet me, but she had.

‘I say,’ she said, ‘this is a glorious place.’ She had taken a room for me at the pensione where she was staying, a hundred feet up from Piazza. Clean and cheap. ‘That,’ I said, ‘would be delightful.’ But before we took one step further I had to tell her something. (Straight candour – with Martha anything else was unthinkable.) ‘I have done something very bad,’ I said. Then told her what had happened.

She and I had met only just over a week before at the studio flat of a man who to her was a fellow journalist and an ex-combatant (he had been parachuted into German-held Italy after Anzio and spent some intensely perilous months underground before the liberation of Rome) and to me a connection, a cousin in fact, of my stepfather, and a childhood chum. Meeting Martha Gellhorn, being addressed, being taken noti