: S.N. Behrman
: Duveen The story of the most spectacular art dealer of all time
: Daunt Books
: 9781907970580
: 1
: CHF 8.50
:
: Biographien, Autobiographien
: English
: 240
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
'Astonishing . . . It's a masterful, deeply enjoyable work.' -- David Remnick, The New Yorker 'When you pay high for the priceless, you're getting it cheap.' Joseph Duveen Joseph Duveen was the world's most famous art dealer. His clients were amongst the most prominent and infamous Americans of the 20th century and included Mellon, Frick, Hearst and Morgan. If you weren't a client, chances are you were a nobody. Famous for his charm, shrewd salesmanship, relentless pursuit of the perfect objet d'art and his ability to command eye-watering prices - Duveen was as unique as one of his priceless Old Masters. In this exceptional biography S. N. Behrman tells the story of Duveen's rise to prestige, from delftware peddler to selling the greatest European paintings to the greatest American millionaires. Duveen was a skilled salesman, enticing his well-heeled and business-savvy clients with visions of cultivation through acquisition of high-culture. He even laid the foundations for the great American museums of art, including the National Gallery and the Frick Collection, by persuading his clients to bequeath their purchases to the nation. Everyone wanted a Duveen, because a Duveen was so much more than a painting or a vase; it was a chance at immortality. 'A witty and hypnotically readable biography.' -- Clifton Fadiman 'Incredibly entertaining.' -- Edmund Wilson

S. N. Behrman was born in 1893 in Massachusetts to Lithuanian-Jewish immigrants. He was a prolific journalist, playwright and writer of short stories. Behrman was a popular figure on Broadway and in Hollywood, but his finest work was published in The New Yorker, for whom he profiled George Gershwin, Max Beerbohm, and Lord Duveen amongst others. Behrman died in New York in 1973.

THE ORIGINAL DUVEEN establishment, the forerunner of the firm of Duveen Brothers, was a blacksmith shop in the little village of Meppel, in Holland. Joseph Duveen, the proprietor, and his wife, Eva, were Jewish. They had four children – Joseph Joel, born in 1843; Henry born in 1854; and two daughters. The blacksmith’s wife must have been a remarkable woman. Although her husband, hammering out horseshoes for the farmers in Meppel, often called Joseph Joel to pump the bellows and Henry to hold the metal on the anvil, she managed, in addition to doing her household chores, to give the boys an elementary education – which was all the education they ever had – and to become a collector in a small way, the only disinterested collector the family has produced. She acquired a hobby that must have been a relaxation to her after the grind of her daily existence. She took to buying bits of Holland’s celebrated delft pottery with her small savings. Whatever she could spare from the family budget she put into delft, and in time she became a connoisseur of it. She would send her two boys around the neighbourhood to buy or exchange pieces, and for this particular pottery the children developed a taste that was as perceptive as her own. The blacksmith was humorously condescending about his wife’s hobby. Delft was cheap, and he doubtless concluded that she bought it only because she didn’t have the money to buy land or houses, as her more fortunate neighbours did. Actually, she bought it not just for that reason but because she loved it passionately. After she had been collecting for some years, the news percolated through to Meppel that across the Channel, in rich and mighty England, there were people who wanted to buy delft even if they could afford to buy other things, and this gave her a startling inspiration. She had loftier hopes for her boys than blacksmithing. In 1866, when Joseph Joel was twenty-three, she improvised a career for him; she loaded him with all the delft he could carry, and packed him off to England to sell it.

Joseph Joel was quite happy to go to England, but when he got there he had a change of heart. Selling delft struck him as an unmanly sort of work, and since, like so many of the Dutch, he could speak some English, he decided to become a travelling salesman of more substantial commodities. After experimenting briefly with one unmarketable product after another, he finally hit his stride in lard. His slitherings about in lard took him, in 1867, to the city of Hull, and there, one evening, he met a Miss Rosetta Barnett, the daughter of a local pawnbroker. Either Joseph Joel was taken with her charm or he had reached the point when he wanted to settle down, or both. In any case, he proceeded to rush her, and, perhaps because he was tired of carrying it around, he showered her with his mother’s delft. Miss Barnett, who had never been wooed with delft before, showed her presents to her father, and he was more impressed by them than she was. Possibly he had made advances on delft to Hull collectors who were hard up. He questioned his daughter’s suitor and discovered that there was a great deal more good delft where that came from. He also found out that the young man was knowledgeable about delft but somewhat deprecatory about it. Mr Barnett took a firm line. He didn’t like the idea of having a son-in-law in lard, but he was titillated by the idea of having one in delft. He said he would give his consent to the marriage if Joseph Joel would get enough delft from his mother to set up a shop in Hull. Moreover, Mr Barnett said, he would finance the enterprise. Joseph Joel gave up his swashbuckling career in lard, married Miss Barnett, and rented a tiny shop with living quarters above it. From delft, he branched out into furniture and objects of art, learning about his merchandise as he acquired it. He attended to the buying and selling; his wife was treasurer, a task that at first consisted largely of getting her father to put up more money from time to time. The Duveens’ business and reputation gr