: P. G. Wodehouse
: Carry On, Jeeves
: Phoemixx Classics Ebooks
: 9783986472443
: 1
: CHF 4,40
:
: Aphorismen
: English
: 277
: Wasserzeichen
: PC/MAC/eReader/Tablet
: ePUB
Carry On, Jeeves P. G. Wodehouse - Carry On, Jeeves is a collection of ten short stories by P. G. Wodehouse. It was first published in the United Kingdom on 9 October 1925 by Herbert Jenkins, London, and in the United States on 7 October 1927 by George H. Doran, New York.Wodehouse's Carry On Jeeves is the story about Bertram 'Bertie' Wooster and his gentleman's gentleman of a servant, Jeeves. Jeeves has a head suited to fix the oddest of problems and seems almost magic at times with his ability to understand people.

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career.An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him 'English literature's performing flea', a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend.Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

1—Jeeves Takes Charge


Now, touching this business of old Jeeves—my man, you know—how do we stand? Lots of people think I'm much too dependent on him. My Aunt Agatha, in fact, has even gone so far as to call him my keeper. Well, what I say is: Why not? The man's a genius. From the collar upward he stands alone, I gave up trying to run my own affairs within a week of his coming to me. That was about half a dozen years ago, directly after the rather rummy business of Florence Craye, my Uncle Willoughby's book, and Edwin, the Boy Scout.

The thing really began when I got back to Easeby, my uncle's place in Shropshire. I was spending a week or so there, as I generally did in the summer; and I had had to break my visit to come back to London to get a new valet. I had found Meadowes, the fellow I had taken to Easeby with me, sneaking my silk socks, a thing no bloke of spirit could stick at any price. It transpiring, moreover, that he had looted a lot of other things here and there about the place, I was reluctantly compelled to hand the misguided blighter the mitten and go to London to ask the registry office to dig up another specimen for my approval. They sent me Jeeves.

I shall always remember the morning he came. It so happened that the night before I had been present at a rather cheery little supper, and I was feeling pretty rocky. On top of this I was trying to read a book Florence Craye had given me. She had been one of the house-party at Easeby, and two or three days before I left we had got engaged. I was due back at the end of the week, and I knew she would expect me to have finishedthe book by then. You see, she was particularly keen on boosting me up a bit nearer her own plane of intellect. She was a girl with a wonderful profile, but steeped to the gills in serious purpose. I can't give you a better idea of the way things stood than by telling you that the book she'd given me to read was calledTypes of Ethical Theory, and that when I opened it at random I struck a page beginning:

The postulate or common understanding involved in speech is certainly co-extensive, in the obligation it carries, with the social organism of which language is the instrument, and the ends of which it is an effort to subserve.

All perfectly true, no doubt; but not the sort of thing to spring on a lad with a morning head.

I was doing my best to skim through this bright little volume when the bell rang. I crawled off the sofa and opened the door. A kind of darkish sort of respectful Johnnie stood without.

'I was sent by the agency, sir,' he said. 'I was given to understand that you required a valet.'

I'd have preferred an undertaker; but I told him to stagger in, and he floated noiselessly through the doorway like a healing zephyr. That impressed me from the start. Meadowes had had flat feet and used to clump. This fellow didn't seem to have any feet at all. He just streamed in. He had a grave, sympathetic face, as if he, too, knew what it was to sup with the lads.

'Excuse me, sir,' he said gently.

Then he seemed to flicker, and wasn't there any longer. I heard him moving about in the kitchen, and presently he came back with a glass on a tray.

'If you would drink this, sir,' he said, with a kind of bedside manner, rather like the royal doctor shooting the bracer into the sick prince. 'It is a little preparation ofmy own invention. It is the Worcester Sauce that gives it its colour. The raw egg makes it nutritious. The red pepper gives it its bite. Gentlemen have told me they have found it extremely invigorating after a late evening.'

I would have clutched at anything that looked like a lifeline that morning. I swallowed the stuff. For a moment I felt as if somebody had touched off a bomb inside the old bean and was strolling down my throat with a lighted torch, and then everything seemed suddenly to get all right. The sun shone in through the window; birds twittered in the tree-tops; and, generally speaking, hope dawned once more.

'You're engaged!' I said, as soon as I could say anything.

I perceived clearly that this cove was