: E.M. Forster
: A Passage to India
: Phoemixx Classics Ebooks
: 9783986471668
: 1
: CHF 4,40
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: Politische Theorien und Ideengeschichte
: English
: 377
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A Passage to India E. M. Forster - First published in 1924, A Passage to India is E. M. Forsters classic tale of prejudice and misunderstanding in colonial India. Widely considered to be one of the best novels of 20th century English literature, A Passage to India was based on Forsters own experiences in India while it was under the rule of the British Raj and the Indian independence movement was gaining in popularity. The novel centers around the tensions between the native people of India and the prejudices of the British ruling class. The central character is Dr. Aziz, a young Indian Muslim physician, who befriends several English visitors, against the advice of his Indian friends. Dr. Aziz is kind and helpful to the young Adela Quested and her elderly friend, Mrs. Moore, who are visiting India from England. He offers to take them sightseeing at a famous cave and a terrible misunderstanding ensues, which results in the innocent and trusting Dr. Aziz being accused of a terrible crime against Adela. Forsters depiction of Dr. Azizs fight for his freedom and his reputation, against the prejudices and misconceptions fostered by the British rule of India, has made this novel a timeless masterpiece of racial tension and oppression. This edition includes a biographical afterword.

Edward Morgan Forster, generally published as E.M. Forster, was an novelist, essayist, and short story writer. He is known best for his ironic and well-plotted novels examining class difference and hypocrisy in early 20th-century British society. His humanistic impulse toward understanding and sympathy may be aptly summed up in the epigraph to his 1910 novel Howards End: 'Only connect'.He had five novels published in his lifetime, achieving his greatest success with A Passage to India (1924) which takes as its subject the relationship between East and West, seen through the lens of India in the later days of the British Raj.Forster's views as a secular humanist are at the heart of his work, which often depicts the pursuit of personal connections in spite of the restrictions of contemporary society. He is noted for his use of symbolism as a technique in his novels, and he has been criticised for his attachment to mysticism. His other works include Where Angels Fear to Tread (1905), The Longest Journey (1907), A Room with a View (1908) and Maurice (1971), his posthumously published novel which tells of the coming of age of an explicitly gay male character

CHAPTER III


The third act ofCousin Kate was well advanced by the time Mrs. Moore re-entered the club. Windows were barred, lest the servants should see their mem-sahibs acting, and the heat was consequently immense. One electric fan revolved like a wounded bird, another was out of order. Disinclined to return to the audience, she went into the billiard room, where she was greeted by “I want to see thereal India,” and her appropriate life came back with a rush. This was Adela Quested, the queer, cautious girl whom Ronny had commissioned her to bring from England, and Ronny was her son, also cautious, whom Miss Quested would probably though not certainly marry, and she herself was an elderly lady.

“I want to see it too, and I only wish we could. Apparently the Turtons will arrange something for next Tuesday.”

“It’ll end in an elephant ride, it always does. Look at this evening.Cousin Kate! Imagine,Cousin Kate! But where have you been off to? Did you succeed in catching the moon in the Ganges?”

The two ladies had happened, the night before, to see the moon’s reflection in a distant channel of the stream. The water had drawn it out, so that it had seemed larger than the real moon, and brighter, which had pleased them.

“I went to the mosque, but I did not catch the moon.”

“The angle would have altered—she rises later.”

“Later and later,” yawned Mrs. Moore, who was tired after her walk. “Let me think—we don’t see the other side of the moon out here, no.”

“Come, India’s not as bad as all that,” said a pleasant voice. “Other side of the earth, if you like, but we stick to the same old moon.” Neither of them knew the speaker nor did they ever see him again. He passed with his friendly word through red-brick pillars into the darkness.

“We aren’t even seeing the other side of the world; that’s our complaint,” said Adela. Mrs. Moore agreed; she too was disappointed at the dullness of their new life. They had made such a romantic voyage across the Mediterranean and through the sands of Egypt to the harbour of Bombay, to find only a gridiron of bungalows at the end of it. But she did not take the disappointment as seriously as Miss Quested, for the reason that she was forty years older, and had learnt that Life never gives us what we want at the moment that we consider appropriate. Adventures do occur, but not punctually. She said again that she hoped that something interesting would be arranged for next Tuesday.

“Have a drink,” said another pleasant voice. “Mrs. Moore—Miss Quested—have a drink, have two drinks.” They knew who it was this time—the Collector, Mr. Turton, with whom they had dined. Like themselves, he had found the atmosphere ofCousin Kate too hot. Ronny, he told them, was stage-managing in place of Major Callendar, whom some native subordinate or other had let down, and doing it very well; then he turned to Ronny’s other merits, and in quiet, decisive tones said much that was flattering. It wasn’t that the young man was particularly good at the games or the lingo, or that he had much notion of the Law, but—apparently a large but—Ronny was dignified.

Mrs. Moore was surprised to learn this, dignity not being a quality with which any mother credits her son. Miss Quested learnt it with anxiety, for she had not decided whether she liked dignified men. She tried indeed to discuss this point with Mr. Turton, but he silenced her with a good-humoured motion of his hand, and continued what he had come to say. “The long and the short of it is Heaslop’s a sahib; he’s the type we want, he’s one of us,” and another civilian who was leaning over the billiard table said, “Hear, hear!” The matter was thus placed beyond doubt, and the Collector passed on, for other duties called him.

Meanwhile the performance ended, and the amateur orchestra played the National Anthem. Conversation and billiards stopped, faces stiffened. It was the Anthem of the Army of Occupation. It reminded every member of the club that he or she was British and in exile. It produced a little sentiment and a useful accession of will-power. The meagre tune, the curt series of demands on Jehovah, fused into a prayer unknown in England, and though they perceived neither Royalty nor Deity they did perceive something, they were strengthened to resist another day. Then they poured out, offering one another drinks.

“Adela, have a drink; mother, a drink.