: Richard Marsh
: The Crime and the Criminal
: OTB eBook publishing
: 9783968659039
: 1
: CHF 1.80
:
: Belletristik
: English
: 32
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB
The 'crime' in question initially starts out being about a man named Tennant getting on a train, having a row with a woman in the carriage and her 'falling out of the train'. He fails to act (this is a prevalent trope in Marsh's work - the characters in question end up becoming criminals due to the failure to act when necessary) and it turns out that the woman is dead. Or is she? (Goodreads)

CHAPTER II.


THE MAN WITH THE SILK HANDKERCHIEF.


Now that I had reached Victoria I did not know what to do. I continued to sit in a sort of bewilderment, wondering. Should I speak to the guard, or should I not? Should I walk out of the station as if nothing had happened? I was, or it seemed to me that I was, between the devil and the deep sea. Whichever path I took was the path, not of safety but of danger.

While I sat hesitating and apparently incapable of anything but hesitation, the carriage door was opened. I supposed that, seeing me, a porter had opened it for me to alight. But it was not a porter who stood there looking in--looking in, as it struck me, with eager curiosity. It was an individual in a top hat and an overcoat ornamented with fur cuffs and collar. Even in my state of confusion, and in that imperfect light, I was at once struck by the fact that both hat and overcoat were the worse for wear. The face under the hat was also the worse for wear. The cheeks were ruddy, with a ruddiness which suggested alcohol. The moustache and whiskers were too black for nature. The eyes, which were at once both impudent and shifty, in colour almost matched the whiskers. There was something about the man which reminded me of some one I had seen before. Who it was, at the moment, I could not think.

He addressed me with what he probably intended for an ingratiating smile,"This is Victoria." I told him I was aware of it."All get out here." I added that I was also aware of that.

His eyes, which had been travelling round and round the carriage in an eager, searching fashion, which, for some reason, made me curiously uneasy, finally rested on my face. He at once noticed the blood-stained handkerchief which I still was holding to my cheek.

"Nose bleeding?"

"No; I've cut my cheek."

I don't know why I sat there speaking to the man as I did.

"Permit me to offer you my handkerchief; yours seems soaked with blood."

Taking out a red silk handkerchief, the corner of which had been protruding from the outside pocket of his overcoat, he held it out to me. I was reluctant to take it. One is reluctant to accept the loan of a silk handkerchief from a perfect stranger, more especially, perhaps, from the sort of stranger he appeared to be. But what was I to do? I was in want of a handkerchief. My own was worse than useless. It was reeking wet. Great gouts of blood were commencing to drop from it. My cheek was bleeding as profusely as ever. I was beginning to wonder if a blood-vessel had been severed. One cannot buy handkerchiefs on a Sunday night. I should have to borrow from some one. So I borrowed from him. Unwillingly eno