: Anthony Hope
: The God in the Car
: OTB eBook publishing
: 9783965375734
: 1
: CHF 1.80
:
: Erzählende Literatur
: English
: 181
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB
The story of The God in the Car is of a very special character. Here we find the large canvas of serious life brushed over with a firm hand, relentless in general outlines and details—telling the tragedy of a woman's love and the price that ambition pays for its own gratification. It is said that a certain English colonial statesman suggested the character of Rushton; we do not know, nor do we care. What we do know, however, is that in this story we meet not one or two, but several, characters that are worth knowing, and whom we will remember for many a day. Juggernaut, 'The God in the Car,' is the incarnation of all the qualities and shortcomings of what the French are pleased to call the strugforlifer, and under the wheels of his rolling throne he crushes the woman that loves him, relentless of the ruin and misery he leaves behind. Mr. Hope has shown that quantity is not always detrimental to quality.

CHAPTER II.


THE COINING OF A NICKNAME.


When it was no later than the middle of June, Adela Ferrars, having her reputation to maintain, ventured to sum up the season. It was, she said, a Ruston-cum-Violetta season. Violetta's doings and unexampled triumphs have, perhaps luckily, no place here; her dancing was higher and her songs more surpassing in another dimension than those of any performer who had hitherto won the smiles of society; and young men who are getting on in life still talk about her. Ruston's fame was less widespread, but his appearance was an undeniable fact of the year. When a man, the first five years of whose adult life have been spent on a stool in a coal merchant's office, and the second five somewhere (an absolutely vague somewhere) in Southern or Central Africa, comes before the public, offering in one closed hand a new empire, or, to avoid all exaggeration, at least a province, asking with the other opened hand for three million pounds, the public is bound to afford him the tribute of some curiosity. When he enlists in his scheme men of eminence like Mr. Foster Belford, of rank like Lord Semingham, of great financial resources like Dennison Sons& Company, he becomes one whom it is expedient to bid to dinner and examine with scrutinising enquiry. He may have a bag of gold for you; or you may enjoy the pleasure of exploding hisprestige; at least, you are timely and up-to-date, and none can say that your house is a den of fogies, or yourself, in the language made to express these things (for how otherwise should they get themselves expressed?) on other than"the inner rail."

It chanced that Miss Ferrars arrived early at the Seminghams, and she talked with her host on the hearth-rug, while Lady Semingham was elaborately surveying her small but comely person in a mirror at the other end of the long room. Lord Semingham was rather short and rather stout; he hardly looked as if his ancestors had fought at Hastings—perhaps they had not, though the peerage said they had. He wore close-cut black whiskers, and the blue of his jowl witnessed a suppressed beard of great vitality. His single eye-glass reflected answering twinkles to Adela'spince-nez, and his mouth was puckered at the world's constant entertainment; men said that he found his wife alone a sufficient and inexhaustible amusement.

"The Heathers are coming," he sai