: Sherwood Anderson
: Delphi Classics
: Delphi Collected Works of Sherwood Anderson (Illustrated)
: Delphi Classics
: 9781788779784
: 1
: CHF 1.70
:
: Erzählende Literatur
: English
: 1647
: DRM
: PC/MAC/eReader/Tablet
: ePUB

The pioneering novelist and short story writer, Sherwood Anderson strongly influenced American writing in the Interwar period, producing works notable for their subjective and self-revealing content. His modernist prose style, based on everyday speech and derived from the experimental writing of Gertrude Stein, was markedly influential on Ernest Hemingway and William Faulkner. Sadly, many of Anderson's works have remained out of print for decades, in spite of his important place in the development of modernist literature. This comprehensive eBook presents Anderson's collected works, with numerous illustrations, rare texts appearing for the first time in digital print, informative introductions and the usual Delphi bonus material. (Version 1)


* The most complete edition possible in the US public domain
* Beautifully illustrated with images relating to Anderson's life and works
* Concise introductions to the novels and other texts
* All 4 novels in the US public domain, with individual contents tables
* Images of how the books were first published, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Almost all of the story collections - with many stories available in no other eBook
* Rare uncollected short stories
* Special chronological and alphabetical contents tables for the short stories
* Easily locate the short stories you want to read
* Anderson's rare poetry collection 'Mid-American Chants'
* Includes Anderson's plays and the scarce essay collection 'Alice and the Lost Novel' - spend hours exploring the author's diverse woks
* Features the author's seminal autobiography 'A Story Teller's Story' - discover Anderson's literary life
* Scholarly ordering of texts into chronological order and genres


Please note: due to US copyright restrictions, post-1923 works cannot appear in this edition. When new texts become available, they will be added to the eBook as a free update.


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CONTENTS:


The Novels
Windy McPherson's Son
Marching Men
Poor White
Many Marriages


The Short Story Collections
Winesburg, Ohio
The Triumph of the Egg
Horses and Men
Uncollected Stories


The Short Stories
List of Short Stories in Chronological Order
List of Short Stories in Alphabetical Order


The Plays
Plays, Winesburg and Others


The Poetry
Mid-American Chants


The Non-Fiction
Alice and the Lost Novel


The Autobiography
A Story Teller's Story


Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks


CHAPTER I


ATTHEBEGINNING of the long twilight of a summer evening, Sam McPherson, a tall big-boned boy of thirteen, with brown hair, black eyes, and an amusing little habit of tilting his chin in the air as he walked, came upon the station platform of the little corn-shipping town of Caxton in Iowa. It was a board platform, and the boy walked cautiously, lifting his bare feet and putting them down with extreme deliberateness on the hot, dry, cracked planks. Under one arm he carried a bundle of newspapers. A long black cigar was in his hand.

In front of the station he stopped; and Jerry Donlin, the baggage-man, seeing the cigar in his hand, laughed, and slowly drew the side of his face up into a laboured wink.

“What is the game to-night, Sam?” he asked.

Sam stepped to the baggage-room door, handed him the cigar, and began giving directions, pointing into the baggage-room, intent and business-like in the face of the Irishman’s laughter. Then, turning, he walked across the station platform to the main street of the town, his eyes bent on the ends of his fingers on which he was making computations with his thumb. Jerry looked after him, grinning so that his red gums made a splash of colour on his bearded face. A gleam of paternal pride lit his eyes and he shook his head and muttered admiringly. Then, lighting the cigar, he went down the platform to where a wrapped bundle of newspapers lay against the building, under the window of the telegraph office, and taking it in his arm disappeared, still grinning, into the baggage-room.

Sam McPherson walked down Main Street, past the shoe store, the bakery, and the candy store kept by Penny Hughes, toward a group lounging at the front of Geiger’s drug store. Before the door of the shoe store he paused a moment, and taking a small note-book from his pocket ran his finger down the pages, then shaking his head continued on his way, again absorbed in doing sums on his fingers.

Suddenly, from among the men by the drug store, a roaring song broke the evening quiet of the street, and a voice, huge and guttural, brought a smile to the boy’s lips:

 “He washed the windows and he swept the floor,

 And he polished up the handle of the big front door.

 He polished that handle so carefullee,

 That now he’s the ruler of the queen’s navee.”

 

The singer, a short man with grotesquely wide shoulders, wore a long flowing moustache, and a black coat, covered with dust, that reached to his knees. He held a smoking briar pipe in his hand, and with it beat time for a row of men sitting on a long stone under the store window and pounding on the sidewalk with their heels to make a chorus for the song. Sam’s smile broadened into a grin as he looked at the singer, Freedom Smith, a buyer of butter and eggs, and past him at John Telfer, the orator, the dandy, the only man in town, except Mike McCarthy, who kept his trousers creased. Among all the men of Caxton, Sam most admired John Telfer and in his admiration had struck upon the town’s high light. Telfer loved good clothes and wore them with an air, and never allowed Caxton to see him shabbily or indifferently dressed, laughingly declaring that it was his mission in life to give tone to the town.

John Telfer had a small income left him by his father, once a banker in the town, and in his youth he had gone to New York to study art, and later to Paris; but lacking ability or industry to get on had come back to Caxton where he had married Eleanor Millis, a prosperous milliner. They were the most successful married pair in Caxton, and after years of life together they were still in love; were never indifferent to each other, and never quarrelled; Telfer treated his wife with as much consideration and respect as though she were a sweetheart, or a guest in his house, and she, unlike most of the wives in Caxton, never ventured to question his goings and comings, but left him free to live his own life in his own way while she attended to the millinery business.

At the age of forty-five John Telfer was a tall, slender, fine looking man, with black hair and a little black pointed beard, and with something lazy and care-free in his every movement and impulse. Dressed in white flannels, with white shoes, a jaunty cap upon his head, eyeglasses hanging from a gold chain, and a cane lightly swinging from his hand, he made a figure that might have passed unnoticed on the pro