: Margaret Oliphant
: The Athelings or The Three Gifts
: OTB eBook publishing
: 9783962724849
: 1
: CHF 1.80
:
: Erzählende Literatur
: English
: 100
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB
This early novel centres on the Atheling family, especially on the three young people Agnes, Marion, and Charlie. Each has a special gift: Agnes has genius as a writer, Marion has beauty, and Charlie will find his gift in the course of the story. The novel is told mostly from Agnes' point of view. She has written a novel and found a publisher; and on the heels of her book's modest success, she and Marion are invited into society, which leads to some amusing experiences. Meanwhile Mr Atheling has inherited his aunt's house in the country, and finds the title challenged by an old enemy, Lord Winterbourne. When the family move to the country, more characters and story lines are introduced. Marion and Agnes each have a love story with complications. The novel is of course fictional, but the portion of the story dealing with Agnes's first novel was inspired by Margaret Oliphant's own experiences as a young writer, including her first shy entries into the insincere world of society.

CHAPTER II. HOME.


The house is old for this locality—larger than this family could have afforded, had it been in better condition,—a cheap house out of repair. It is impossible to see what is the condition of the little garden before the door; but the bushes are somewhat straggling, and wave their long arms about in the rising wind. There is a window on either side of the door, and the house is but two stories high: it is the most commonplace of houses, perfectly comfortable and uninteresting, so far as one may judge from without. Inside, the little hall is merely a passage, with a door on either side, a long row of pegs fastened against the wall, and a strip of brightly-painted oil-cloth on the floor. The parlour door is open—there are but two candles, yet the place is bright; and in it is the lighted window which shines so cheerily into the silent street. The father sits by the fire in the only easy-chair which this apartment boasts; the mother moves about on sundry nameless errands, of which she herself could scarcely give a just explanation; yet somehow that comfortable figure passing in and out through light and shadow adds an additional charm to the warmth and comfort of the place. Two little children are playing on the rug before the fire—very little children, twins scarcely two years old—one of them caressing the slippered foot of Mr Atheling, the other seated upon a great paper book full of little pictures, which serves at once as amusement for the little mind, and repose for the chubby little frame. They are rosy, ruddy, merry imps, as ever brightened a fireside; and it is hard to believe they are of the same family as Charlie and Agnes and Marian. For there is a woeful gap between the elder and the younger children of this house—an interval of heavy, tardy, melancholy years, the records of which are written, many names, upon one gravestone, and upon the hearts of these two cheerful people, among their children at their own hearth. They have lived through their day of visitation, and come again into the light beyond; but it is easy to understand the peculiar tenderness with which father and mother bend over these last little children—angels of consolation—and how everything in the house yields to the pretty childish caprice of little Bell and little Beau.

Yes, of course, you have found it out: everybody finds it out at the first glance; everybody returns to it with unfailing criticism. To tell the truth, the house is a very cheap house, being so large a one. Had it been in good order, the Athelings could never have pretended to such a “desirable family residence” as this house in Bellevue; and so you perceive this room has been papered by Charlie and the girls and Mrs Atheling. It is a very pretty paper, and was a great bargain; but unfortunately it is not matched—one-half of the pattern, in two or three places, is hopelessly divorced from the other half. They were very zealous, these amateur workpeople, but they were not born paperhangers, and, with the best intentions in the world, have drawn the walls awry.