XI.

BEFORE PROCEEDING TO DISCUSS THE conditions under which paiderastia existed in Athens, it may be well to pause and to consider the tone adopted with regard to it by some of the earlier Greek poets. Much that is interesting on the subject of the true Hellenic Erôs can be gathered from Theognis, Solon, Pindar, Æschylus, and Sophocles; while the lyrics of Anacreon, Alcæus, Ibycus, and others of the same period illustrate the wanton and illiberal passion (Hybris) which tended to corrode and undermine the nobler feeling.

It is well-known that Theognis and his friend Kurnus weremembers of the aristocracy of Megara. After Megara had thrown off the yoke of Corinth in the early part of the sixth century, the city first submitted to the democratic despotism of Theagenes, and then for many years engaged in civil warfare. The large number of the elegies of Theognis are specially intended to instruct Kurnus how he ought to act as an illustrious party-