: William Dean Howells
: Of Literature
: Seltzer Books
: 9781455394616
: 1
: CHF 0.10
:
: Erzählende Literatur
: English
: 590
: DRM
: PC/MAC/eReader/Tablet
: ePUB

Three large book-length collections of essays in a single file, with links from the table of contents to each essay. Literary Friends and Acquaintances, Literature and Life, and My Literary Passions. According to Wikipedia: 'William Dean Howells (March 1, 1837 - May 11, 1920) was an American realist author and literary critic... In 1858, he began to work at the Ohio State Journal where he wrote poetry, short stories, and also translated pieces from French, Spanish, and German. He avidly studied German and other languages and was greatly interested in Heinrich Heine. In 1860, he visited Boston and met with American writers James Thomas Fields, James Russell Lowell, Oliver Wendell Holmes, Nathaniel Hawthorne, Henry David Thoreau, and Ralph Waldo Emerson. Said to be rewarded for a biography of Abraham Lincoln used during the election of 1860, he gained a consulship in Venice. On Christmas Eve 1862, he married Elinor Mead at the American embassy in Paris. Upon returning to the U.S., he wrote for various magazines, including Atlantic Monthly and Harper's Magazine. From 1866, he became an assistant editor for the Atlantic Monthly and was made editor in 1871, remaining in the position until 1881. In 1869, he first met Mark Twain, which sparked a longtime friendship. Even more important for the development of his literary style--his advocacy of Realism--was his relationship with the journalist Jonathan Baxter Harrison, who in the 1870s wrote a series of articles for the Atlantic Monthly on the lives of ordinary Americans. He wrote his first novel, Their Wedding Journey, in 1872, but his literary reputation took off with the realist novel A Modern Instance, published in 1882, which described the decay of a marriage. His 1885 novel The Rise of Silas Lapham is perhaps his best known, describing the rise and fall of an American entrepreneur in the paint business. His social views were also strongly reflected in the novels Annie Kilburn (1888) and A Hazard of New Fortunes (1890). He was particularly outraged by the trials resulting from the Haymarket Riot.'

still see him sitting athletic, almost pugilistic, of presence, with his

strong face, but kind, framed in long hair that swept above his massive

forehead, and fell to the level of his humorously smiling mouth.  His

eyes quaintly gleamed at the things we told him of our life in the

strange place; but he only partly relaxed from his strenuous pose, and

the hands that lay upon his knees were clinched.  Afterwards, as he

passed our balcony in a gondola, he lifted the brave red fez he was

wearing (many people wore the fez for one caprice or another) and saluted

our eagle and us: we were often on the balcony behind the shield to

attest the authenticity of the American eagle.

 

 

 

 

 

III.

 

Before I left Venice, however, there came a turn in my literary luck, and

from the hand I could most have wished to reverse the adverse wheel of

fortune.  I had labored out with great pains a paper on recent Italian

comedy, which I sent to Lowell, then with his friend Professor Norton

jointly editor of the North American Review; and he took it and wrote me

one of his loveliest letters about it, consoling me in an instant for all

the defeat I had undergone, and making it sweet and worthy to have lived

through that misery.  It is one of the hard conditions of this state that

while we can mostly make out to let people taste the last drop of

bitterness and ill-will that is in us, our love and gratitude are only

semi-articulate at the best, and usually altogether tongue-tied.  As

often as I tried afterwards to tell Lowell of the benediction, the

salvation, his letter was to me, I failed.  But perhaps he would not have

understood, if I had spoken out all that was in me with the fulness I

could have given a resentment.  His message came after years of thwarted

endeavor, and reinstated me in the belief that I could still do something

in literature.  To be sure, the letters in the Advertiser had begun to

make their impression; among the first great pleasures they brought me

was a recognition from my diplomatic chief at Vienna; but I valued my

admission to the North American peculiarly because it was Lowell let me

in, and because I felt that in his charge it must be the place of highest

honor.  He spoke of the pay for my article, in his letter, and asked me

where he should send it, and I answered, to my father-in-law, who put it

in his savings-bank, where he lived, in Brattleboro, Vermont.  There it

remained, and I forgot all about it, so that when his affairs were

settled some years later and I was notified that there was a sum to my

credit in the bank, I said, with the confidence I have nearly always felt

when wrong, that I had no money there.  The proof of my error was sent me

in a check, and then I bethought me of the pay for"Recent Italian

Comedy."

 

It was not a day when I could really afford to forget money due me, but

then it was not a great deal of money.  The Review was as poor as it was

proud, and I had two dollars a printed page for my paper.  But this was

more than I got from the Advertiser, which gave me five dollars a column

for my letters, printed in a type so fine that the money, when translated

from greenbacks into gold at a discount of $2.80, must have been about a

dollar a thousand words.  However, I was richly content with that, and

would gladly have let them have the letters for nothing.

 

Before I left Venice I had made my sketches into a book, which I sent on

to Messrs. Trubner& Co., in London.  They had consented to look at it to

oblige my friend Conway, who during his sojourn with us in Venice, before

his settlement in London, had been forced to listen to some of it.