| Reel Character Education | 2 |
|---|
| A Cinematic Approach to Character Development | 2 |
|---|
| CONTENTS | 6 |
|---|
| 1. An Overview of Character Education 1 | 6 |
| 2. Film Pedagogy 19 | 6 |
| 3. Examining Films for Educational Value 31 | 6 |
| 4. Character Education Films for the Elementary Classroom 37 | 7 |
| 5. Character Education Films for the Middle School Classroom 83 | 8 |
| 6. Character Education for the High School Classroom 125 | 9 |
| 7. Character Education Films for the Postsecondary Classroom 171 | 10 |
| Reel Character Education | 4 |
| A Cinematic Approach to Character Development | 4 |
| by | 4 |
| William Benedict Russell III | 4 |
| University of Central Florida | 4 |
| and | 4 |
| Stewart Waters | 4 |
| University of Central Florida | 4 |
| Information Age Publishing, Inc. | 4 |
| Charlotte, North Carolina • www.infoagepub.com | 4 |
| preface and Overview | 12 |
|---|
| Unless we act now to strengthen the character of our nation’s youth—and give them the resources to succeed—the United States will not be prepared to meet the challenges of the 21st century. | 12 |
| —Alma Powell | 12 |
| ACKNOWLEDGMENTS | 14 |
|---|
| Figure 1. 2. President Bill Clinton speaking at a convention. President Clinton was influential in the development of legislation for character education. Image used with permission, courtesy of Shutterstock images. | 32 |
| An Overview of Character Education | 16 |
|---|
| To educate a person in mind and not in morals is to educate a menace to society | 16 |
| —President Theodore Roosevelt | 16 |
| INTRODUCTION | 16 |
| THE VERBIAGE OF CHARACTER EDUCATION | 17 |
| A BRIEF HISTORY OF CHARACTER EDUCATION | 18 |
| The Foundation of Character Education in Early America (1607–1800) | 18 |
| Character Education in the 1800s: A Century of Change | 20 |
| Figure 1. 1. Theodore Roosevelt Statue in Washington DC. Image used with permission, courtesy of Shutterstock images. | 24 |
| Replacing Religious Morals With Civic Virtues: 1901–1965 | 24 |
| The Reemergence of Character Education: 1966–Present | 27 |
| 1. Chosen freely. | 28 |
| 2. Chosen from alternatives. | 28 |
| 3. Chosen after thoughtful consideration of the consequences of each alternative. | 28 |
| 4. Prized and cherished. | 28 |
| 5. Publicly affirmed. | 28 |
| 6. Acted upon. | 28 |
| 7. Acted upon repeatedly (Raths et al., 1966, p. 30). | 28 |
| 1. The punishment and obedience orientation. | 29 |
| 2. The instrumental-relativist orientation. | 29 |
| 3. The “good boy-nice girl” orientation. | 29 |
| 4. The maintenance of law and order orientation. | 29 |
| 5. The social contract orientation. | 29 |
| 6. The universal ethical principle orientation (Kohlberg, 1980). | 29 |
| Figure 2. 1. Denzel Washington attending a film premiere at the Fox Theater in Los Angeles, CA. Denzel starred in the film, John Q. Image used with permission, courtesy of Shutterstock images. | 39 |
| Table 2.1. The Russell Model for Using Film | 36 |
| Table 2.1. Continued | 37 |
| Table 2.1. Continued | 38 |
| Film Pedagogy | 34 |
|---|
| INTRODUCTION | 34 |
| THE RUSSELL MODEL FOR USING FILM | 35 |
| 1. The Preparation Stage. | 35 |
| 2. The Pre-Viewing Stage. | 35 |
| 3. Watching the Film Stage | 35 |
| 4. The Culminating Activity Stage. | 35 |
| TEACHING CHARACTER EDUCATION WITH FILM | 38 |
| LEGAL ISSUES | 41 |
| 1. All films must be used in the classroom for instructional purposes. | 42 |
| 2. Films with a rating of “G” may be used for instructional purposes with teacher approval and administrative permission. | 42 |
| 3. Films with a rating of “PG” may be used for instructional purposes with teacher approval, administrative permission, and parent/ guardian permission. | 42 |
| 4. Films with a rating of “PG-13” may be used for instructional purposes with teacher approval, administrative permission, and parent/guardian permission. | 42 |
| 5. Films with a rating of “R” and/or higher cannot be shown. (See Appendix A for a detailed explanation of the MPAA film ratings.) | 42 |
| 1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes | |
| 2. the nature of the copyrighted work | |
| 3. the amount and substantiality of the
|