Classic novel.According to Wikipedia: 'George Robert Gissing (November 22, 1857 - December 28, 1903) was an English novelist who wrote twenty-three novels between 1880 and 1903. From his early naturalistic works, he developed into one of the most accomplished realists of the late-Victorian era. ... In 1880 when his first novel, Workers in the Dawn, proved to be an abject failure, he became a private tutor to keep poverty from the door. In 1883, he separated from his wife, now an alcoholic, but gave her a weekly income on what little money he had until her death in 1888. In 1884 his second novel, The Unclassed, which saw a marked improvement in style and characterisation, met with moderate critical acclaim. After this Gissing published novels almost on a yearly basis, but so little money did they bring him, that for several more years he had to continue working as a tutor. Although notoriously exploited by his publishers, he was able to visit Italy in 1889 from the sale of the copyright of The Nether World, his most pessimistic book. Between 1891 and 1897 (his so-called middle period) Gissing produced his best works, which include New Grub Street, Born in Exile, The Odd Women, In the Year of Jubilee, and The Whirlpool. In advance of their time, they variously deal with the growing commercialism of the literary market, religious charlatanism, the situation of emancipated women in a male-dominated society, the poverty of the working classes, and marriage in a decadent world. During this period, having belatedly become aware of the financial rewards of writing short stories for the press, he produced almost seventy stories. As a result he was able to give up teaching. ... The middle years of the decade saw Gissing's reputation reach new heights: by some critics he is counted alongside George Meredith and Thomas Hardy as one of the best three novelists of his day. He also enjoyed new friendships with fellow writers such as Henry James, and H.G. Wells, and came into contact with many other up and coming writers such as Joseph Conrad and Stephen Crane. ... In 1903 Gissing published The Private Papers of Henry Ryecroft, which brought him much acclaim. This is his most autobiographical work. It is the memoir of the last happy years of a writer who had struggled much like Gissing, but thanks to a late legacy had been able to give up writing to retire to the countryside.'
They passed beneath the walls of the amphitheatre and by Constantine's triumphal arch. Like all the innumerable fountains of the city, the Meta Sudans stood dry; around the base of the rayed colossus of Apollo, goats were browsing. Thence they went along by the Temple of Venus and Rome, its giant columns yet unshaken, its roof gleaming with gilded bronze; and so under the Arch of Titus, when, with a sharp turn to the left, they began the ascent of the Palatine.
The vast buildings which covered the Imperial hill, though discoloured by the lapse of ages and hung with ivy, had suffered little diminution of their external majesty; time had made them venerable, but had not shattered their walls. For two centuries and a half, they had stood all but desolate, and within that time had thrice been sacked by barbarians, yet something of the riches and art which made their ancient glory was still discoverable in the countless halls and chambers; statues, busts, mural paintings, triumphs of mosaic, pictured hangings, had in many parts escaped the spoiler and survived ruin; whilst everywhere appeared the magnificence of rare stones, the splendours of royal architecture, the beauty of unsurpassed carving. Though owls nested where empresses were wont to sleep, and nettles pierced where the lord of the world feasted his courtiers, this was still the Palace of those who styled themselves Ever August; each echo seemed to repeat an immortal name, and in every gallery seemed to move the shadows of a majestic presence.
Belisarius had not resided here, preferring for his abode the palace of the Pincian. His successor in the military government of Rome chose a habitation on the deserted hill, in that portion of its complex structures which had been raised by Vespasian and his sons. Thither the two visitors were now directing their steps. Having passed a gateway, where Marcian answered with a watchword the challenge of the guard, they ascended a broad flight of stairs, and stood before an entrance flanked with two great pillars of Numidian marble, toned by time to a hue of richest orange. Here stood soldiers, to whom again the password was given. Entering, they beheld a great hall, surrounded by a colonnade of the Corinthian order, whereon had been lavished exquisite carving; in niches behind the columns stood statues in basalt, thrice the size of life, representing Roman emperors, and at the far end was a tribune with a marble throne. This, once the hall of audience, at present served as a sort of antechamber; here and there loitered a little group of citizens, some of whom had been waiting since early morning for speech with the commander; in one corner, soldiers played at dice, in another a notary was writing at a table before which stood two ecclesiastics. Voices and footsteps made a faint, confused reverberation under the immense vault.
Anxiously glancing about him, Basil followed his conductor across the hall and out into a peristyle, its pavement richly tesselated, and the portico, still elaborately adorned with work in metal and in marble, giving proof of still greater magnificence in bygone time; pedestals had lost their statues, and blank spaces on the wall told of precious panelling torn off. Beyond, they came to a curtained doorway, where they were detained for some moments by the sentry; then the curtain was drawn aside, and Basil found himself in the triclinium of the Flavian palace, now used by the Greek general as his public reception room. Its size was not much less than that of the hall of audience; its decoration in the same grandiose style. Enormous pillars of granite supported the roof; statues stood, or had stood, all around; the pavement, composed of serpentine, porphyry, and Numidian marble in many hues, was a superb work of art. But Basil saw only the human figures before him. In a chair covered with furs sat a man of middle age, robust, fair-complexioned, with a keen look in his pale blue eyes and something of the wolfish about his mouth. Bessas had long ago given proof of valour, and enjoyed repute as a general, but since his holding command in Rome, his vices, chief of which was avarice, showed much more prominently than the virtues which had advanced him; he used the Imperial authority chiefly to enrich himself, in this respect, it is true, merely acting in harmony with the Emperor's representative at Ravenna, and with: the other Greek generals scattered about Italy, but exhibiting in his methods a shrewdness and an inhumanity not easily rivalled. Behind his chair stood several subordinates, and on a stool before him sat a noble re
