: Anna Harriette Leonowens
: The English Governess at the Siamese Court
: Seltzer Books
: 9781455434206
: 1
: CHF 0.10
:
: Biographien, Autobiographien
: English
: 645
: DRM
: PC/MAC/eReader/Tablet
: ePUB

First published in 1870. 'Being recollections of six years in the royal palace at Bangkok.' According to Wikipedia: 'Anna Harriette Leonowens (6 November 1831 - 19 January 1915) born Anna Harriet Emma Edwards, was an Anglo-Indian or Indian-born British travel writer, educator, and social activist. Her experiences in Siam (Thailand) were fictionalised in Margaret Landon's 1944 best-selling novel Anna and the King of Siam, as well as films and television series based on the book, most notably Rodgers and Hammerstein's 1951 hit musical The King and I. During the course of her life, Leonowens also lived in Aden, Australia, Singapore, the United States and Canada. Among other achievements, she co-founded the Nova Scotia College of Art and Design.'

 XV. THE CITY OF BANGKOK.


 

Ascending the Meinam (or Chow Phya) from the gulf, and passing Paknam, the paltry but picturesque seaport already described, we come next to Paklat Beeloo, or"Little Paklat," so styled to distinguish it from Paklat Boon, a considerable town higher up the river, which we shall presently inspect as we steam toward Bangkok. Though, strictly speaking, Paklat Beeloo is a mere cluster of huts, the humble dwellings of a colony of farmers and rice-planters, it is nevertheless a place of considerable importance as a depot for the products of the ample fields and gardens which surround it on every side. The rice and vegetables which these supply are shipped for the markets of Bangkok and Ayudia. At Paklat Beeloo that bustle of traffic begins which, more and more as we approach the capital, imparts to the river its characteristic aspect of activity and thrift,--an animated procession of boats of various form and size, deeply laden with grain, garden stuffs, and fruits, drifting with the friendly helping tide, and requiring little or no manual labor for their navigation, as they sweep along tranquilly, steadily, from bank to bank, from village to village. Diverse as are the styles and uses of these boats, the most convenient, and therefore the most common, are the Rua-keng and the Rua-pet. The former resembles in all respects the Venetian gondola, while the Rua-pet has either a square house with, windows amidships, or (more commonly) a basket cover, long and round, like the tent-top of some Western wagons. The dimensions of many of these boats are sufficient to accommodate an entire family, with their household goods and merchandise, yet one seldom sees more than a single individual in charge of them. The tide, running strongly up or down, affords the motive-power;"the crew" has but to steer. Often unwieldy, and piled clumsily with cargo, one might reasonably suppose their safe piloting to be a nautical impossibility; yet so perfect is the skill--the instinct, rather--of these almost amphibious river-folk, that a little child, not uncommonly a girl, shall lead them. Accidents are marvellously rare, considering the thousands of large, heavy, handsome keng boats that ply continually between the gulf and the capital, now lost in a sudden bend of the stream, now emerging from behind a screen of mangroves, and in their swift descent threatening quick destruction to the small and fragile market-boats, freighted with fish and poultry, fruit and vegetables. From Paklat Beeloo a great canal penetrates directly to the heart of Bangkok, cutting off thirty miles from the circuitous river route. But the traveller, faithful to the picturesque, will cling to the beautiful Meinam, which will entertain him with scenery more and more charming as he approaches the capital,--higher lands, a neater cultivation, hamlets and villages quaintly pretty, fantastic temples and pagodas dotting the plain, fine Oriental effects of form and color, scattered Edens of fruit-trees,--the mango, the mangostein, the bread-fruit, the durian the orange,--their dark foliage contrasting boldly with the more lively and lovely green of the betel, the tamarind, and the banana. Every curve of the