: Gustave Flaubert
: The Gustave Flaubert Collection
: Charles River Editors
: 9781531284084
: 1
: CHF 1.10
:
: Erzählende Literatur
: English
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Gustave Flaubert was a prominent French author and was the main contributor to literary realism in his country.Flaubert's novel Madame Bovary is a classic and he also influenced other great writers including Maupassant.This collection includes the following:



NOVELS:

Madame Bovary

Salammbo

Sentimental Education

Bouvard and Pecuchet: A Tragi-Comic Novel of Bourgeois Life

 

SHORT STORIES:

The Dance of Death

The Legend of Saint Julian the Hospitaller

A Simple Soul

Herodias

 

PROSE:

The Temptation of St. Anthony

 

NON-FICTION:

The George Sand-Gustave Flaubert Letters

Over Strand and Field: A Record of Travel through Brittany


CHAPTER ONE


We were in class when the head-master came in, followed by a “new fellow,” not wearing the school uniform, and a school servant carrying a large desk. Those who had been asleep woke up, and every one rose as if just surprised at his work.

The head-master made a sign to us to sit down. Then, turning to the class-master, he said to him in a low voice—

“Monsieur Roger, here is a pupil whom I recommend to your care; he’ll be in the second. If his work and conduct are satisfactory, he will go into one of the upper classes, as becomes his age.”

The “new fellow,” standing in the corner behind the door so that he could hardly be seen, was a country lad of about fifteen, and taller than any of us. His hair was cut square on his forehead like a village chorister’s; he looked reliable, but very ill at ease. Although he was not broad-shouldered, his short school jacket of green cloth with black buttons must have been tight about the arm-holes, and showed at the opening of the cuffs red wrists accustomed to being bare. His legs, in blue stockings, looked out from beneath yellow trousers, drawn tight by braces, He wore stout, ill-cleaned, hob-nailed boots.

We began repeating the lesson. He listened with all his ears, as attentive as if at a sermon, not daring even to cross his legs or lean on his elbow; and when at two o’clock the bell rang, the master was obliged to tell him to fall into line with the rest of us.

When we came back to work, we were in the habit of throwing our caps on the ground so as to have our hands more free; we used from the door to toss them under the form, so that they hit against the wall and made a lot of dust: it was “the thing.”

But, whether he had not noticed the trick, or did not dare to attempt it, the “new fellow,” was still holding his cap on his knees even after prayers were over. It was one of those head-gears of composite order, in which we can find traces of the bearskin, shako, billycock hat, sealskin cap, and cotton night-cap; one of those poor things, in fine, whose dumb ugliness has depths of expression, like an imbecile’s face. Oval, stiffened with whalebone, it began with three round knobs; then came in succession lozenges of