: Charles Dickens
: Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
: Krill Press
: 9781518395888
: 1
: CHF 1.10
:
: Historische Romane und Erzählungen
: English
: 691
: DRM
: PC/MAC/eReader/Tablet
: ePUB
Charl s Dickens needs no formal introduction, having been the most popular English writer of the 19th century and still one of the most popular writers in history today.Dickens was obsessed with reading, making him a natural journalist by the age of 20, when he began a career in journalism. Along the way, he also began writing his own short stories and materials, often serializing them in monthly installments in publications, a popular method of publishing in the 19th century. Unlike most writers, Dickens would not write an entire story before it began its serialization, allowing him to work on the fly and leave plot lines up in the air with each opportunity. 



By the time he died at the relatively young age of 58 from a stroke, he was already Europe's most famous writer. His obituary noted that Dickens was a 'sympathiser with the poor, the suffering, and the oppressed.' Dickens was interred in Westminster Abbey, a rare honor bestowed only among the greatest and most accomplished Britons. 

Many of Dickens' novels were written with the concept of social reform in mind, and Dickens' work was often praised for its realism, comic genius and unique personalities. At the same time, however, Dickens' ability as a writer was nearly unrivaled, with his ability to write in prose unquestioned and unmatched. 

CHAPTER II—THE CURATE.  THE OLD LADY.  THE HALF-PAY CAPTAIN


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WE COMMENCED OUR LAST CHAPTER with the beadle of our parish, because we are deeply sensible of the importance and dignity of his office.  We will begin the present, with the clergyman.  Our curate is a young gentleman of such prepossessing appearance, and fascinating manners, that within one month after his first appearance in the parish, half the young-lady inhabitants were melancholy with religion, and the other half, desponding with love.  Never were so many young ladies seen in our parish church on Sunday before; and never had the little round angels’ faces on Mr. Tomkins’s monument in the side aisle, beheld such devotion on earth as they all exhibited.  He was about five-and-twenty when he first came to astonish the parishioners.  He parted his hair on the centre of his forehead in the form of a Norman arch, wore a brilliant of the first water on the fourth finger of his left hand (which he always applied to his left cheek when he read prayers), and had a deep sepulchral voice of unusual solemnity.  Innumerable were the calls made by prudent mammas on our new curate, and innumerable the invitations with which he was assailed, and which, to do him justice, he readily accepted.  If his manner in the pulpit had created an impression in his favour, the sensation was increased tenfold, by his appearance in private circles.  Pews in the immediate vicinity of the pulpit or reading-desk rose in value; sittings in the centre aisle were at a premium: an inch of room in the front row of the gallery could not be procured for love or money; and some people even went so far as to assert, that the three Miss Browns, who had an obscure family pew just behind the churchwardens’, were detected, one Sunday, in the free seats by the communion-table, actually lying in wait for the curate as he passed to the vestry!  He began to preach extempore sermons, and even grave papas caught the infection.  He got out of bed at half-past twelve o’clock one winter’s night, to half-baptise a washerwoman’s child in a slop-basin, and the gratitude of the parishioners knew no bounds—the very churchwardens grew generous, and insisted on the parish defraying the expense of the watch-box on wheels, which the new curate had ordered for himself, to perform the funeral service in, in wet weather.  He sent three pints of gruel and a quarter of a pound of tea to a poor woman who had been brought to bed of four small children, all at once—the parish were charmed.  He got up a subscription for her—the woman’s fortune was made.  He spoke for one hour and twenty-five minutes, at an anti-slavery meeting at the Goat and Boots—the enthusiasm was at its height.  A proposal was set on foot for presenting the curate with a piece of plate, as a mark of esteem for his valuable services rendered to the parish.  The list of subscriptions was filled up in no time; the contest was, not who should escape the contribution, but who should be the foremost to subscribe.  A splendid silver inkstand was made, and engraved with an appropriate inscription; the curate was invited to a public breakfast, at the before-mentioned Goat and Boots; the inkstand was presented in a neat speech by Mr. Gubbins, th