: Victor Hugo
: Notre Dame de Paris
: Seltzer Books
: 9781455389810
: 1
: CHF 0.70
:
: Erzählende Literatur
: English
: 794
: DRM
: PC/MAC/eReader/Tablet
: ePUB

The epic tale of Esmeralda and Quasimodo, set in Paris in 1482. Wikipedia reports: 'The enormous popularity of the book in France spurred the nascent historical preservation movement in that country and strongly encouraged Gothic revival architecture. Ultimately it led to major renovations at Notre-Dame in the 19th century led by Eugene Viollet-le-Duc. Much of the cathedral's present appearance is a result of this renovation.' First published in 1831. According to Wikipedia: 'Victor-Marie Hugo (1802 - 1885) was a French poet, playwright, novelist, essayist, visual artist, statesman, human rights activist and exponent of the Romantic movement in France. In France, Hugo's literary reputation rests primarily on his poetic and dramatic output and only secondarily on his novels. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem, and Hugo is sometimes identified as the greatest French poet. Outside France, his best-known works are the novels Les Misérables and Notre-Dame de Paris (sometimes translated into English as The Hunchback of Notre Dame).'

 CHAPTER VII.


 

A BRIDAL NIGHT.

 

A few moments later our poet found himself in a tiny arched chamber, very cosy, very warm, seated at a table which appeared to ask nothing better than to make some loans from a larder hanging near by, having a good bed in prospect, and alone with a pretty girl.  The adventure smacked of enchantment.  He began seriously to take himself for a personage in a fairy tale; he cast his eyes about him from time to time to time, as though to see if the chariot of fire, harnessed to two-winged chimeras, which alone could have so rapidly transported him from Tartarus to Paradise, were still there.  At times, also, he fixed his eyes obstinately upon the holes in his doublet, in order to cling to reality, and not lose the ground from under his feet completely.  His reason, tossed about in imaginary space, now hung only by this thread.

 

The young girl did not appear to pay any attention to him; she went and came, displaced a stool, talked to her goat, and indulged in a pout now and then.  At last she came and seated herself near the table, and Gringoire was able to scrutinize her at his ease.

 

You have been a child, reader, and you would, perhaps, be very happy to be one still.  It is quite certain that you have not, more than once (and for my part, I have passed whole days, the best employed of my life, at it) followed from thicket to thicket, by the side of running water, on a sunny day, a beautiful green or blue dragon-fly, breaking its flight in abrupt angles, and kissing the tips of all the branches. You recollect with what amorous curiosity your thought and your gaze were riveted upon this little whirlwind, hissing and humming with wings of purple and azure, in the midst of which floated an imperceptible body, veiled by the very rapidity of its movement.  The aerial being which was dimly outlined amid this quivering of wings, appeared to you chimerical, imaginary, impossible to touch, impossible to see. But when, at length, the dragon-fly alighted on the tip of a reed, and, holding your breath the while, you were able to examine the long, gauze wings, the long enamel robe, the two globes of crystal, what astonishment you felt, and what fear lest you should again behold the form disappear into a shade, and the creature into a c