: Henry James
: Confidence
: Dead Dodo Presents Henry James
: 9781508024439
: 1
: CHF 0.70
:
: Erzählende Literatur
: English
: 304
: DRM
: PC/MAC/eReader/Tablet
: ePUB
Dodo Classics brings you another classic from Henry James, 'Confidence'.

 

Confi ence is a novel by Henry James, first published as a serial in Scribner's Monthly in 1879 and then as a book later the same year. This light and somewhat awkward comedy centers on artist Bernie Longueville, scientist Gordy Wright, and the sometimes inscrutable heroine, Angie Vivian. The plot rambles through various romantic entanglements before reaching an uncomplicated, but still believable happy ending.

 

Henry James, OM (15 April 1843 - 28 February 1916) was an American writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism. He was the son of Henry James, Sr. and the brother of philosopher and psychologist William James and diarist Alice James.

 

He is best known for a number of novels showing Americans encountering Europe and Europeans. His method of writing from a character's point of view allowed him to explore issues related to consciousness and perception, and his style in later works has been compared to impressionist painting. His imaginative use of point of view, interior monologue and unreliable narrators brought a new depth to narrative fiction.

 

James contributed significantly to literary criticism, particularly in his insistence that writers be allowed the greatest possible freedom in presenting their view of the world. James claimed that a text must first and foremost be realistic and contain a representation of life that is recognizable to its readers. Good novels, to James, show life in action and are, most importantly, interesting.

In addition to his voluminous works of fiction he published articles and books of travel, biography, autobiography, and criticism, and wrote plays. James alternated between America and Europe for the first twenty years of his life; eventually he settled in England, becoming a British subject in 1915, one year before his death. James was nominated for the Nobel Prize in Literature in 1911, 1912, and 1916.

CHAPTER II


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TWO MONTHS LATER BERNARD LONGUEVILLE was at Venice, still under the impression that he was leaving Italy. He was not a man who made plans and held to them. He made them, indeed—few men made more—but he made them as a basis for variation. He had gone to Venice to spend a fortnight, and his fortnight had taken the form of eight enchanting weeks. He had still a sort of conviction that he was carrying out his plans; for it must be confessed that where his pleasure was concerned he had considerable skill in accommodating his theory to his practice. His enjoyment of Venice was extreme, but he was roused from it by a summons he was indisposed to resist. This consisted of a letter from an intimate friend who was living in Germany—a friend whose name was Gordon Wright. He had been spending the winter in Dresden, but his letter bore the date of Baden-Baden. As it was not long, I may give it entire.

“I wish very much that you would come to this place. I think you have been here before, so that you know how pretty it is, and how amusing. I shall probably be here the rest of the summer. There are some people I know and whom I want you to know. Be so good as to arrive. Then I will thank you properly for your various Italian rhapsodies. I can’t reply on the same scale—I have n’t the time. Do you know what I am doing? I am making love. I find it a most absorbing occupation. That is literally why I have not written to you before. I have been making love ever since the last of May. It takes an immense amount of time, and everything else has got terribly behindhand. I don’t mean to say that the experiment itself has gone on very fast; but I am trying to push it forward. I have n’t yet had time to test its success; but in this I want your help. You know we great physicists never make an experiment without an ‘assistant’—a humble individual who burns his fingers and stains his clothes in the cause of science, but whose interest in the problem is only indirect. I want you to be my assistant, and I will guarantee that your burns and stains shall not be dangerous. She is an extremely interesting girl, and I really want you to see her—I want to know what you think of her. She wants to know you, too, for I have talked a good deal about you. There you have it, if gratified vanity will help you on the way. Seriously, this is a real request. I want your opinion, your impression. I want to see how she will affect you. I don’t say I ask for your advice; that, of course, you will not undertake to give. But I desire a definition, a characterization; you know you toss off those things. I don’t see why I should n’t tell you all this—I have always told you everything. I have never pretended to know anything about women, but I have always supposed that you knew everything. You certainly have always had the tone of that sort of omniscience. So come here as soon as possible and let me see that you are not a humbug. She ‘s a very handsome girl.”

Longueville was so much amused with this appeal that he very soon started for Germany. In the reader, Gordon Wright’s letter will, perhaps, excite surprise rather than hilarity; but Longueville thought it highly characteristic of his friend. What it especially pointed to was Gordon’s want of imagination—a deficiency which was a matter of common jocular allusion between the two young men, each of whom kept a collection of acknowledged oddities as a playground for the other’s wit. Bernard had often spoken of his comrade’s want of imagination as a bottomless pit, into which Gordon was perpetually inviting him to lower himself. “My dear fellow,” Bernard said, “you must really excuse me; I cannot take these subterranean excursions. I should lose my breath down there; I should never come up alive. You know I have dropped things down—little jokes and metaphors, little fantasies and paradoxes—and I have never heard them touch bottom!” This was an epigram on the part of a young man who had a lively play of fan