: Arnold Bennett
: The Regent
: Dead Dodo Presents Arnold Bennett
: 9781508026334
: 1
: CHF 0.70
:
: Erzählende Literatur
: English
: 336
: DRM
: PC/MAC/eReader/Tablet
: ePUB
Dodo Collections brings you another classic from Arnold Bennett, ''The Regent.''

 

'The Regent' is, if not a sequel to 'The Card', then a 'Further Adventures of' the eponymous hero of that novel.



Denry Machin is now forty-three and begins to feel that he is getting old, that making money and a happy home life are not enough and that he has lost his touch as the entrepreneur and entertainer of the 'Five Towns'.



In fact, as he says to himself 'What I want is change - and a lot of it too!'. A chance meeting at the local theatre leads to his going to London and then... 

 

Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc.

 

After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France.

 

Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist.

 

His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.

CHAPTER II. THE BANK-NOTE


I.

Alderman Machin had to stand at the back, and somewhat towards the side, of that part of the auditorium known as the Grand Circle at the Empire Music Hall, Hanbridge. The attendants at the entrance, and in the lounge, where the salutation “Welcome” shone in electricity over a large cupid-surrounded mirror, had compassionately and yet exultingly told him that there was not a seat left in the house. He had shared their exultation. He had said to himself, full of honest pride in the Five Towns: “This music-hall, admitted by the press to be one of the finest in the provinces, holds over two thousand five hundred people. And yet we can fill it to overflowing twice every night! And only a few years ago there wasn’t a decent music-hall in the entire district!” The word “Progress” flitted through his head. It was not strictly true that the Empire was or could be filled to overflowing twice every night, but it was true that at that particular moment not a seat was unsold; and the aspect of a crowded auditorium is apt to give an optimistic quality to broad generalizations. Alderman Machin began instinctively to calculate the amount of money in the house, and to wonder whether there would be a chance for a second music-hall in the dissipated town of Hanbridge. He also wondered why the idea of a second music-hall in Hanbridge had never occurred to him before. The Grand Circle was so called because it was grand. Its plush fauteuils cost a shilling, no mean price for a community where seven pounds of potatoes can be bought for sixpence, and the view of the stage therefrom was perfect. But the Alderman’s view was far from perfect, since he had to peer as best he could between and above the shoulders of several men, each apparently, but not really, taller than himself. By constant slight movements, to comply with the movements of the rampart of shoulders, he could discern fragments of various advertisements of soap, motor-cars, whisky, shirts, perfume, pills, bricks and tea—for the drop-curtain was down. And, curiously, he felt obliged to keep his eyes on the drop-curtain and across the long intervening vista of hats and heads and smoke to explore its most difficult corners again and again, lest when it went up he might not be in proper practice for seeing what was behind it. Nevertheless, despite the marked inconveniences of his situation, he felt brighter, he felt almost happy in this dense atmosphere of success. He even found a certain peculiar and perverse satisfaction in the fact that he had as yet been recognized by nobody. Once or twice the owners of shoulders had turned and deliberately glared at the worrying fellow who had the impudence to be all the time peeping over them and between them; they had not distinguished the fellow from any ordinary fellow. Could they have known that he was the famous Alderman Edward Henry Machin, founder and sole proprietor of the Thrift Club, into which their wives were probably paying so much a week, they would most assuredly have glared to another tune, and they would have said with pride afterwards: “That chap Machin o’Bursley was standing behind me at the Empire to-night!” And though Machin is amongst the commonest names in the Five Towns, all would have known that the great and admired Denry was meant ... It was astonishing that a personage so notorious should not have been instantly “spotted” in such a resort as the Empire. More proof that the Five Towns was a vast and seething concentration of cities, and no longer a mere district where everybody knew everybody! The curtain rose, and as it did so a thunderous, crashing applause of greeting broke forth; applause that thrilled and impressed and inspired; applause that made every individual in the place feel right glad that he was there. For the curtain had risen on the gigantic attraction, which many members of the audience were about to see for the fifth time that week; in fact, it was rumoured that certain men of fashion, whose habit was to refuse themselves nothing, had attended every performance of the gigantic attraction since the second house on Monday. The scene represented a restaurant of quiet aspect, into which entered a waiter bearing a pile of plates some two feet high. The waiter being intoxicated the tower of plates leaned this way and that as he staggered about, and th