: Charlotte Brontë
: Villette
: Dead Dodo Classic Press
: 9781518304996
: 1
: CHF 0.70
:
: Erzählende Literatur
: English
: 771
: DRM
: PC/MAC/eReader/Tablet
: ePUB
After an unspecified family disaster, the protagonist Lucy Snowe travels from England to the fictional French-speaking city of Villette to teach at a girls' school, where she is drawn into adventure and romance.

 

Villette was Charlotte Brontë's fourth novel. It was preceded by the posthumously published The Professor, her first, and then by Jane Eyre and Shirley.

 

The novel is set in the English countryside, in London, and (mainly) in the fictional city of Villette (based upon Brussels) in the fictional Kingdom of Labassecour (based upon Belgium). 'Labassecour' is French for farmyard.

 

Villette begins with its famously passive protagonist, Lucy Snowe, age 14, staying at the home of her godmother Mrs. Bretton in 'the clean and ancient town of Bretton', in England. Also in residence are Mrs. Bretton's son, John Graham Bretton (whom the family calls Graham), and a young visitor, Paulina Home (who is called Polly). Polly is a peculiar little girl who soon develops a deep devotion to Graham, who showers her with attention. But Polly's visit is cut short when her father arrives to take her away.

CHAPTER II. PAULINA


..................

SOME DAYS ELAPSED, AND IT appeared she was not likely to take much of a fancy to anybody in the house. She was not exactly naughty or wilful: she was far from disobedient; but an object less conducive to comfort—to tranquillity even—than she presented, it was scarcely possible to have before one’s eyes. She moped: no grown person could have performed that uncheering business better; no furrowed face of adult exile, longing for Europe at Europe’s antipodes, ever bore more legibly the signs of home sickness than did her infant visage. She seemed growing old and unearthly. I, Lucy Snowe, plead guiltless of that curse, an overheated and discursive imagination; but whenever, opening a room-door, I found her seated in a corner alone, her head in her pigmy hand, that room seemed to me not inhabited, but haunted.

And again, when of moonlight nights, on waking, I beheld her figure, white and conspicuous in its night-dress, kneeling upright in bed, and praying like some Catholic or Methodist enthusiast—some precocious fanatic or untimely saint—I scarcely know what thoughts I had; but they ran risk of being hardly more rational and healthy than that child’s mind must have been.

I seldom caught a word of her prayers, for they were whispered low: sometimes, indeed, they were not whispered at all, but put up unuttered; such rare sentences as reached my ear still bore the burden, “Papa; my dear papa!” This, I perceived, was a one-idea’d nature; betraying that monomaniac tendency I have ever thought the most unfortunate with which man or woman can be cursed.

What might have been the end of this fretting, had it continued unchecked, can only be conjectured: it received, however, a sudden turn.

One afternoon, Mrs. Bretton, coaxing her from her usual station in a corner, had lifted her into the window-seat, and, by way of occupying her attention, told her to watch the passengers and count how many ladies should go down the street in a given time. She had sat listlessly, hardly looking, and not counting, when—my eye being fixed on hers—I witnessed in its iris and pupil a startling transfiguration. These sudden, dangerous natures—sensitive as they are called—offer many a curious spectac