: Rudyard Kipling
: The Phantom Rickshaw and Other Ghost Stories
: Dead Dodo Presents Rudyard Kipling
: 9781508027195
: 1
: CHF 0.70
:
: Erzählende Literatur
: English
: 183
: DRM
: PC/MAC/eReader/Tablet
: ePUB
Dodo Collections brings you another classic from Rudyard Kipling, 'The Indian Tales'.



This collection includes Kipling classics: The Phantom 'Rickshaw; The Strange Ride of Morrowbie Jukes; The Recrudescence of Imray; My Own True Ghost Story; At the End of the Passage; The Man Who Would Be King; and The Mutiny of the Mavericks.



Josep Rudyard Kipling was an English short-story writer, poet, and novelist. He wrote tales and poems of British soldiers in India and stories for children. He was born in Bombay, in the Bombay Presidency of British India, and was taken by his family to England when he was five years old.



Kipli g's works of fiction include The Jungle Book (1894), Kim (1901), and many short stories, including 'The Man Who Would Be King' (1888). His poems include 'Mandalay' (1890), 'Gunga Din' (1890), 'The Gods of the Copybook Headings' (1919), 'The White Man's Burden' (1899), and 'If-' (1910). He is regarded as a major innovator in the art of the short story; his children's books are classics of children's literature; and one critic described his work as exhibiting 'a versatile and luminous narrative gift'.

MY OWN TRUE GHOST STORY


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AS I CAME THROUGH THE Desert thus it was— As I came through the Desert. —The City of Dreadful Night.

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Somewhere in the Other World, where there are books and pictures and plays and shop windows to look at, and thousands of men who spend their lives in building up all four, lives a gentleman who writes real stories about the real insides of people; and his name is Mr. Walter Besant. But he will insist upon treating his ghosts—he has published half a workshopful of them—with levity. He makes his ghost-seers talk familiarly, and, in some cases, flirt outrageously, with the phantoms. You may treat anything, from a Viceroy to a Vernacular Paper, with levity; but you must behave reverently toward a ghost, and particularly an Indian one.

There are, in this land, ghosts who take the form of fat, cold, pobby corpses, and hide in trees near the roadside till a traveler passes. Then they drop upon his neck and remain. There are also terrible ghosts of women who have died in child-bed. These wander along the pathways at dusk, or hide in the crops near a village, and call seductively. But to answer their call is death in this world and the next. Their feet are turned backward that all sober men may recognize them. There are ghosts of little children who have been thrown into wells. These haunt well curbs and the fringes of jungles, and wail under the stars, or catch women by the wrist and beg to be taken up and carried. These and the corpse ghosts, however, are only vernacular articles and do not attack Sahibs. No native ghost has yet been authentically reported to have frightened an Englishman; but many English ghosts have scared the life out of both white and black.

Nearly every other Station owns a ghost. There are said to be two at Simla, not counting the woman who blows the bellows at Syree dâk-bungalow on the Old Road; Mussoorie has a house haunted of a very lively Thing; a White Lady is supposed to do night-watchman round a house in Lahore; Dalhousie says that one of her houses “repeats” on autumn evenings all the incidents of a horrible horse-and-precipice accident; Murree has a merry ghost, and, now that she has been swept by cholera, will have room for a sorrowful one; there are Officers’ Quarters in Mian Mir whose doors open without reason, and whose furniture is guaranteed to creak, not with the heat of June but with the weight of Invisibles who come to lounge in the chairs; Peshawur possesses houses that none will willingly rent; and there is something—not fever—wrong with a big bungalow in Allahabad. The older Provinces simply bristle with haunted houses, and march phantom armies along their main thoro