: Joseph Conrad
: Outcast of the Islands
: Seltzer Books
: 9781455364633
: 1
: CHF 0.10
:
: Erzählende Literatur
: English
: 487
: DRM
: PC/MAC/eReader/Tablet
: ePUB
Conrad's second novel. ''An Outcast of the Islands' is my second novel in the absolute
sense of the word; second in conception, second in execution, second as it were in its essence.There was no hesitation, half-formed plan, vague idea, or the vaguest reverie of anything else between it and 'Almayer's Folly.'The only doubt I suffered from, after the publication of 'Almayer's Folly,' was whether I should write another line for print.Those days, now grown so dim, had their poignant moments.Neither in my mind nor in my
heart had I then given up the sea. In truth I was clinging to it desperately, all the more desperately because, against my will, I could not help feeling that there was something changed in my relation to it.'Almayer's Folly,' had been finished and done with.The mood itself was gone.But it had left the memory of an experience that, both in thought and emotion was unconnected with the sea, and I suppose that part of my moral being which is rooted in consistency was badly shaken...'

CHAPTER FOUR


 

 Babalatchi saw Abdulla pass through the low and narrow entrance into the darkness of Omar's hut; heard them exchange the usual greetings and the distinguished visitor's grave voice asking:"There is no misfortune--please God--but the sight?" and then, becoming aware of the disapproving looks of the two Arabs who had accompanied Abdulla, he followed their example and fell back out of earshot.  He did it unwillingly, although he did not ignore that what was going to happen in there was now absolutely beyond his control.  He roamed irresolutely about for awhile, and at last wandered with careless steps towards the fire, which had been moved, from under the tree, close to the hut and a little to windward of its entrance.  He squatted on his heels and began playing pensively with live embers, as was his habit when engrossed in thought, withdrawing his hand sharply and shaking it above his head when he burnt his fingers in a fit of deeper abstraction.  Sitting there he could hear the murmur of the talk inside the hut, and he could distinguish the voices but not the words.  Abdulla spoke in deep tones, and now and then this flowing monotone was interrupted by a querulous exclamation, a weak moan or a plaintive quaver of the old man.  Yes.  It was annoying not to be able to make out what they were saying, thought Babalatchi, as he sat gazing fixedly at the unsteady glow of the fire.  But it will be right.  All will be right.  Abdulla inspired him with confidence.  He came up fully to his expectation.  From the very first moment when he set his eye on him he felt sure that this man--whom he had known by reputation only--was very resolute.  Perhaps too resolute.  Perhaps he would want to grasp too much later on.  A shadow flitted over Babalatchi's face.  On the eve of the accomplishment of his desires he felt the bitter taste of that drop of doubt which is mixed with the sweetness of every success.

 

When, hearing footsteps on the verandah of the big house, he lifted his head, the shadow had passed away and on his face there was an expression of watchful alertness.  Willems was coming down the plankway, into the courtyard.  The light within trickled through the cracks of the badly joined walls of the house, and in the illuminated doorway appeared the moving form of Aissa.  She also passed into the night outside and disappeared from view.  Babalatchi wondered where she had got to, and for the moment forgot the approach of Willems.  The voice of the