: Arnold Bennett
: Over There War Scenes on the Western Front
: Dead Dodo Presents Arnold Bennett
: 9781508026341
: 1
: CHF 0.70
:
: 20. Jahrhundert (bis 1945)
: English
: 115
: DRM
: PC/MAC/eReader/Tablet
: ePUB
Dodo Collections brings you another classic from Arnold Bennett, ''Over There: War Scenes on the Western Front.''

 

This book contains an account written by Arnold Bennett detailing the time he spent moving from town to town in France and Belgium during the early stages of World War II. An interesting insight into the harsh realities of war, this fascinating book will appeal to those interested in what life was like on the front lines during World War II and constitutes a valuable addition to any collection of antiquarian wartime literature.

 

Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc.

 

After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France.

 

Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist.

 

His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.

II. ON THE FRENCH FRONT


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WE WERE MET AT A poste de commandement by the officers in charge, who were waiting for us. And later we found that we were always thus met. The highest officer present—General, Colonel, or Commandant—was at every place at our disposition to explain things—and to explain them with that clarity of which the French alone have the secret and of which a superlative example exists in the official report of the earlier phases of the war, offered to the Anglo-Saxon public through Reuter. Automobiles and chauffeurs abounded for our small party of four. Never once at any moment of the day, whether driving furiously along somewhat deteriorated roads in the car, or walking about the land, did I lack a Staff officer who produced in me the illusion that he was living solely in order to be of use to me. All details of the excursions were elaborately organised; never once did the organisation break down. No pre- Lusitania American correspondent could have been more spoiled by Germans desperately anxious for his goodwill than I was spoiled by these French who could not gain my goodwill because they had the whole of it already. After the rites of greeting, we walked up to the high terrace of a considerable chateau close by, and France lay before us in a shimmering vast semicircle. In the distance, a low range of hills, irregularly wooded; then a river; then woods and spinneys; then vineyards—boundless vineyards which climbed in varying slopes out of the valley almost to our feet. Far to the left was a town with lofty factory chimneys, smokeless.

Peasant women were stooping in the vineyards; the whole of the earth seemed to be cultivated and to be yielding bounteously. It was a magnificent summer afternoon. The sun was high and a few huge purple shadows moved with august deliberation across the brilliant greens. An impression of peace, majesty, grandeur; and of the mild, splendid richness of the soil of France.

“You see that white line on the hills opposite,” said an officer, opening a large-scale map.

I guessed it was a level road.

“That is the German trenches,” said he. “They are five miles away. Their gun-positions are in the woods. Our own trenches are invisible from here.”

It constituted a great moment, this first vision of the German trenches. With the thrill came the lancinating thought: “All of France that lies beyond that line, land just like the land on which I am standing, inhabited by people just like the people who are talking to me, is under the insulting tyranny of the invader.” And I also thought, as the sense of distance quickened my imagination to realise that these trenches stretched from Ostend to Switzerland, and that the creators of them were prosecuting similar enterprises as far north- east as Riga, and as far southeast as the confines of Roumania: “The brigands are mad, but they are mad in the grand manner.”

We were at the front.

We had driven for twenty miles along a very busy road which was closed to civilians, and along which even Staff officers could not travel without murmuring the password to placate the hostile vigilance of sentries. The civil life of the district was in abeyance, proceeding precariously from meal to meal. Aeroplanes woke the sleep. No letter could leave a post office without a precautionary delay of three days.

Telegrams were suspect. To get into a railway station was almost as difficult as to get into paradise. A passport or a safe-conduct was the sine qua non of even the restricted liberty which had survived. And yet nowhere did I see a frown nor hear a complaint. Everybody compreh