: Henry James
: Lady Barbarina Henry
: Dead Dodo Presents Henry James
: 9781508027621
: 1
: CHF 0.70
:
: Erzählende Literatur
: English
: 640
: DRM
: PC/MAC/eReader/Tablet
: ePUB
Dodo Collections brings you another classic from James Henry, 'Lady Barbarina.'

 

Rich and beautiful American girls heading to England to find themselves noble titles through marriage, and using their New World wealth to prop up the waning strength of the aristocracy, was almost a staple of late Victorian literature. 'The Buccaneers,' Edith Wharton called them, and their day is not over yet (think of Downton Abbey's Earl of Grantham, and his American heiress countess). In Lady Barbarina, however, Henry James explores the obverse of this old tale: what if the wealth is in the hands of an American man, in love with the beautiful daughter of an old and titled (but no longer so very rich) family? Legal marital settlements, common in England, less so in America, can be a problem. Think of them as the Victorian equivalent of modern pre-nuptial contracts, introducing a note, not of suspicion perhaps, but of cautious prudence in what otherwise might be seen as a match of pure love. For all their similarities, Britain and the United States remain divided by three thousand miles of open water.

 

Henry James, OM, son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting.

LADY BARBARINA


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I.


IT IS WELL KNOWN THAT there are few sights in the world more brilliant than the main avenues of Hyde Park of a fine afternoon in June. This was quite the opinion of two persons who on a beautiful day at the beginning of that month, four years ago, had established themselves under the great trees in a couple of iron chairs—the big ones with arms, for which, if I mistake not, you pay twopence—and sat there with the slow procession of the Drive behind them while their faces were turned to the more vivid agitation of the Row. Lost in the multitude of observers they belonged, superficially at least, to that class of persons who, wherever they may be, rank rather with the spectators than with the spectacle. They were quiet simple elderly, of aspect somewhat neutral; you would have liked them extremely but would scarcely have noticed them. It is to them, obscure in all that shining host, that we must nevertheless give our attention. On which the reader is begged to have confidence; he is not asked to make vain concessions. It was indicated touchingly in the faces of our friends that they were growing old together and were fond enough of each other’s company not to object—since it was a condition—even to that. The reader will have guessed that they were husband and wife; and perhaps while he is about it will further have guessed that they were of that nationality for which Hyde Park at the height of the season is most completely illustrative. They were native aliens, so to speak, and people at once so initiated and so detached could only be Americans. This reflexion indeed you would have made only after some delay; for it must be allowed that they bristled with none of those modern signs that carry out the tradition of the old indigenous war-paint and feathers. They had the American turn of mind, but that was very secret; and to your eye—if your eye had cared about it—they might have been either intimately British or more remotely foreign. It was as if they studied, for convenience, to be superficially colourless; their colour was all in their talk. They were not in the least verdant; they were grey rather, of monotonous hue. If they were interested in the riders, the horses, the walkers, the great exhibition of English wealth and health, beauty, luxury and leisure, it was because all this referred itself to other impressions, because they had the