: Arnold Bennett
: The Ghost A Modern Fantasy
: Dead Dodo Presents Arnold Bennett
: 9781508026228
: 1
: CHF 0.70
:
: Belletristik
: English
: 233
: DRM
: PC/MAC/eReader/Tablet
: ePUB
Dodo Collections brings you another classic from Arnold Bennett, ''The Ghost: A Modern Fantasy.''

 

The novel opens with Carl Foster, a recently qualified doctor, coming to London to try and make his fortune. He meets a famous tenor, Signor Alresca, who suffers a dreadful injury backstage and Foster tends to him. He thus meets the lead soprano, Rosetta Rosa, and falls hopelessly in love with her.

 

Alresca takes Foster under his wing and they travel to Alresca's home in Bruges. It is clear to Foster that Alresca has some strange obsession. Foster also notices a stranger who seems to be dogging his footsteps.

 

Things take an even more sinister turn when Alresca inexplicably dies. . .

 

Enoch Arnold Bennett (always known as Arnold Bennett) was one of the most remarkable literary figures of his time, a product of the English Potteries that he made famous as the Five Towns. Yet he could hardly wait to escape his home town, and he did so by the sheer force of his ambition to succeed as an author. In his time he turned his hand to every kind of writing, but he will be remembered for such novels as The Old Wives' Tale, the Clayhanger trilogy (Clayhanger, Hilda Lessways, and These Twain), and The Card. He also wrote such intriguing self-improvement books as Literary Taste, How To Live on 24 Hours a Day, The Human Machine, etc.

 

After a local education Bennett finished his education at the University of London and for a time was editor of Woman magazine. After 1900 he devoted himself entirely to writing; dramatic criticism was one of his foremost interests. Bennett is best known, however, for his novels, several of which were written during his residence in France.

 

Bennett's infancy was spent in genteel poverty, which gave way to prosperity as his father succeeded as a solicitor. From this provincial background he became a novelist.

 

His enduring fame is as a Chronicler of the Potteries towns, the setting and inspiration of some of his most famous and enduring literary work and the place where he grew up.

CHAPTER I. MY SPLENDID COUSIN


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I AM EIGHT YEARS OLDER now. It had never occurred to me that I am advancing in life and experience until, in setting myself to recall the various details of the affair, I suddenly remembered my timid confusion before the haughty mien of the clerk at Keith Prowse’s. I had asked him: “Have you any amphitheatre seats for the Opera to-night?” He did not reply. He merely put his lips together and waved his hand slowly from side to side. Not perceiving, in my simplicity, that he was thus expressing a sublime pity for the ignorance which my demand implied, I innocently proceeded: “Nor balcony?” This time he condescended to speak. “Noth—ing, sir.” Then I understood that what he meant was: “Poor fool! why don’t you ask for the moon?” I blushed. Yes, I blushed before the clerk at Keith Prowse’s, and turned to leave the shop. I suppose he thought that as a Christian it was his duty to enlighten my pitiable darkness. “It’s the first Rosa night to-night,” he said with august affability. “I had a couple of stalls this morning, but I’ve just sold them over the telephone for six pound ten.” He smiled. His smile crushed me. I know better now. I know that clerks in box-offices, with their correct neckties and their air of continually doing wonders over the telephone, are not, after all, the grand masters of the operatic world. I know that that manner of theirs is merely a part of their attire, like their cravats; that they are not really responsible for the popularity of great sopranos; and that they probably go home at nights to Fulham by the white omnibus, or to Hammersmith by the red one—and not in broughams. “I see,” I observed, carrying my crushed remains out into the street. Impossible to conceal the fact that I had recently arrived from Edinburgh as raw as a ploughboy! If you had seen me standing irresolute on the pavement, tapping my stick of Irish bog-oak idly against the curbstone, you would have seen a slim youth, rather nattily dressed (I think), with a shadow of brown on his upper lip, and a curl escaping from under his hat, and the hat just a little towards the back of his head, and a pretty good chin, and the pride of life in his ingenuous eye. Quite unaware that he was immature! Quite unaware that the supple curves of his limbs had an almost feminine grace that made older fellows feel paternal! Quite unaware that he had everything to learn, and that all his troubles lay before him! Actually fancying himself a man because he had just taken his medical degree.... The June sun shone gently radiant in a blue sky, and above the roofs milky-bosomed clouds were floating in a light wind. The town was bright, fresh, alert, as London can be during the season, and the joyousness of the busy streets echoed the joyousness of my heart (for I had already, with the elasticity of my years, recovered from the reverse inflicted on me by Keith Prowse’s clerk). On the opposite side of the street were the rich premises of a