: Charles Brockden Brown
: Ormond; Or, The Secret Witness. Volume 1 (of 3)
: OTB eBook publishing
: 9783962722470
: 1
: CHF 1.80
:
: Erzählende Literatur
: English
: 95
: kein Kopierschutz
: PC/MAC/eReader/Tablet
: ePUB
Ormond; Or, The Secret Witness is a 1799 political and social novel by American writer Charles Brockden Brown. The novel thematically focuses on the ways in which individuals change in reaction to their social environments. The novel follows a female protagonist Constantia and her relationship with the mysterious Ormond, who is also the title character. The novel thoroughly explores the republicanism and republican values common to the early American nation. The novel was originally published in three volumes. (Wikipedia)

CHAPTER II.


Thus in a moment was this man thrown from the summit of affluence to the lowest indigence. He had been habituated to independence and ease. This reverse, therefore, was the harder to bear. His present situation was much worse than at his father's death. Then he was sanguine with youth and glowing with health. He possessed a fund on which he could commence his operations. Materials were at hand, and nothing was wanted but skill to use them. Now he had advanced in life. His frame was not exempt from infirmity. He had so long reposed on the bosom of opulence, and enjoyed the respect attendant on wealth, that he felt himself totally incapacitated for a new station. His misfortune had not been foreseen. It was embittered by the consciousness of his own imprudence, and by recollecting that the serpent which had stung him was nurtured in his own bosom.

It was not merely frugal fare and a humble dwelling to which he was condemned. The evils to be dreaded were beggary and contempt. Luxury and leisure were not merely denied him. He must bend all his efforts to procure clothing and food, to preserve his family from nakedness and famine. His spirit would not brook dependence. To live upon charity, or to take advantage of the compassion of his friends, was a destiny far worse than any other. To this therefore he would not consent. However irksome and painful it might prove, he determined to procure hit bread by the labour of his hands.

But to what scene or kind of employment should he betake himself? He could not endure to exhibit this reverse of fortune on the same theatre which had witnessed his prosperity. One of his first measures was to remove from New York to Philadelphia. How should he employ himself in his new abode? Painting, the art in which he was expert, would not afford him the means of subsistence. Though no despicable musician, he did not esteem himself qualified to be a teacher of this art. This profession, besides, was treated by his new neighbours with general, though unmerited contempt. There were few things on which he prided himself more than on the facilities and elegances of his penmanship. He was besides well acquainted with arithmetic and accounting. He concluded therefore to offer his services, as a writer in a public office. This employment demanded little bodily exertion. He had spent much of his time at the book and the desk: his new occupation, therefore, was further recommended by its resemblance to his ancient modes of life.

The first situation of this kind for which he applied he obtained. The duties were constant, but not otherwise toilsome or arduous. The emoluments were slender, but my contracting, within limits as narrow as possible, his expenses, they could be made subservient to the mere purposes of subsistence. He hired a small house in the suburbs of the city. It consisted of a room above and below, and a kitchen. His wife, daughter, and one girl, composed its inhab