: Edith Nesbit
: The Magic World
: Midwest Journal Press
: 9781387095551
: 1
: CHF 2.30
:
: Fantasy
: English
: 202
: DRM
: PC/MAC/eReader/Tablet
: ePUB

< >The Magic World is an influential collection of twelve short stories byE. Nesbit. It was first published in book form in 1912 by Macmillan and Co. Ltd., with illustrations byH. R. Millar andG rald Spencer Pryse. The stories, previously printed in magazines (likeBlackie's Children's Annual), are typical of Nesbit's arch, ironic, clever fantasies for children.

Some of the twelve stories in the collection are:

  • 'The Cat-hood of Maurice' - a boy abuses the family cat, and learns to see things from the feline point of view.

  • 'The Mixed Mine' - two boys find a magic spyglass, and use it to make their fortunes.

  • 'Accidental Magic' - Quentin falls asleep on the altarstone atStonehenge< a>, and wakes inAtlantis. /li>
  • 'The Princess and the Hedge-pig' - King Ozymandias and Queen Eliza
    plan a secret christening for their Princess Ozyliza, to avoid a wicked
    fairy's curse. Things go awry.

  • 'Septimus Septimusson' - he is the seventh son of a seventh son, who
    can see fairies and hear the beasts speak; and he must seek his
    fortune.

  • 'The White Cat' - a boy finds a china ornament in the attic; it proves to be a magic talisman.

  • 'Belinda and Bellamant' - they are a princess and prince suffering curses; a talking bat helps resolve their problems.

  • 'Justnowland' - Elsie visits a magic land of giant crows, and a dragon.

  • 'The Related Muff' - a sensitive boy, dismissed as a 'muff' by his cousins, proves himself a hero in a crisis.

  • 'The Aunt and Amabel' - a girl enters a magic world through a wardrobe.

  • 'Kenneth and the Carp' - unjustly accused, a boy transforms into a fish and redeems his honor.

  • 'The Magician's Heart' - an evil magician distributes curses at royal christenings. Complications ensue.

The story 'The Aunt and Amabel' has received attention as a precursor ofC. S. Lewis's firstNarnia novel,The Lion, the Witch, and the Wardrobe.'Accidental Magic' has been seen as exerting an influence onJ. R. R. Tolkien. Conversely, Nesbit's 'Justnowland' displays the influence ofLewis Carroll'sAl ce in Wonderland.

El sabeth Beresford's 1964 bookAwkward Magic was published in the United States under the titleThe Magic World. Beresford has been identified as an imitator of Nesbit.

Nesbit's little girls tend to get in trouble over their efforts at
gardening. Elsie in 'Justnowland' uproots turnip plants she mistakes for
weeds; Amabel cuts chrysanthemum blossoms from a greenhouse and tries
to plant them in a flower bed. Stories in the collection feature talking
animals and human/animal transformation, with implications regarding
animal welfare and avoidance of mistreatment. The opening story is the
most explicit in its message againstcru lty to animals. (Wikipedia)

About Edith Nesbitt:
Edith Nesbit (married nameEdith Bland; 15 August 1858 - 4 May 1924) was an English author and poet; she published her books for children under the name ofE. Nesbit.

Nesbit published approximately 40 books for children, including novels, collections of stories and picture books. Collaborating with others, she published almost as many more.

According to her biographer, Julia Briggs, Nesbit was 'the first
modern writer for children': Nesbit 'helped to reverse the great
tradition of children's literature inaugurated byLewis Carroll,Georg MacDonald andKennet Grahame, in turning away from theirsecond ry worlds
to the tough truths to be won from encounters with things-as-they-are,
previously the province of adult novels.' Briggs also credits Nesbit
with having invented the children'sadvent re story.Noël Coward was a great admirer of hers and, in a letter to an early biographerNoel Streatfeild, wrote 'she had an economy of phrase, and an unparalleled talent for evoking hot summer days in the English countryside.'

Among Nesbit's best-known books areThe Story of the Treasure Seekers (1898) andThe Wouldbegoods (1899), which both recount stories about the Bastables, a middle-class family that has fallen on (relatively) hard times.T e Railway Children is also known from its adaptation into a1970 film version.Gore Vidal called the time-travel book,ver e.

She created an innovative body of work that combined realistic,
contemporary children in real-world settings with magical objects - what
would now be classed asc ntemporary fantasy - and adventures and sometimes travel to fantastic worlds. In doing so, she was a direct or indirect influence on many subsequent writers, includingP. L. Travers (author ofMary Poppins),Edward Eager,Dian Wynne Jones andJ. K. Rowling.C. S. Lewis was influenced by her in writing theNarnia series and mentions the Bastable children in. (Wikipedia)

THE CAT-HOOD OF MAURICE


TO have your hair cut is not painful, nor does it hurt to have your whiskers trimmed. But round wooden shoes, shaped like bowls, are not comfortable wear, however much it may amuse the onlooker to see you try to walk in them. If you have a nice fur coat like a company promoter's, it is most annoying to be made to swim in it. And if you had a tail, surely it would be solely your own affair; that any one should tie a tin can to it would strike you as an unwarrantable impertinence-to say the least.

Yet it is difficult for an outsider to see these things from the point of view of both the persons concerned. To Maurice, scissors in hand, alive and earnest to snip, it seemed the most natural thing in the world to shorten the stiff whiskers of Lord Hugh Cecil by a generous inch. He did not understand how useful those whiskers were to Lord Hugh, both in sport and in the more serious business of getting a living.

Also it amused Maurice to throw Lord Hugh into ponds, though Lord Hugh only once permitted this liberty. To put walnuts on Lord Hugh's feet and then to watch him walk on ice was, in Maurice's opinion, as good as a play. Lord Hugh was a very favourite cat, but Maurice was discreet, and Lord Hugh, except under violent suffering, was at that time anyhow, dumb.

But the empty sardine-tin attached to Lord Hugh's tail and hind legs— this had a voice, and, rattling against stairs, banisters, and the legs of stricken furniture, it cried aloud for vengeance. Lord Hugh, suffering violently, added his voice, and this time the family heard. There was a chase, a chorus of 'Poor pussy!' and 'Pussy, then!' and the tail and the tin and Lord Hugh were caught under Jane's bed. The tail and the tin acquiesced in their rescue. Lord Hugh did not. He fought, scratched, and bit. Jane carried the scars of that rescue for many a long week.

When all was calm Maurice was sought and, after some little natural delay, found—in the boot-cupboard.

'Oh, Maurice!' his mother almost sobbed, 'how can you? What will your father say?'

Maurice thought he knew what his father would do.

'Don't you know,' the mother went on, 'how wrong it is to be cruel?'

'I didn't mean to be cruel,' Maurice said. And, what is more, he spoke the truth. All the unwelcome attentions he had showered on Lord Hugh had not been exactly intended to hurt that stout veteran—only it was interesting to see what a cat would do if you threw it in the water, or cut its whiskers, or tied things to its tail.

'Oh, but you must have meant to be cruel,' said mother, 'and you will have to be punished.'

'I wish I hadn't,' said Maurice, from the heart.

'So do I,' said his mother, with a sigh; 'but it isn't the first time; you know you tied Lord Hugh up in a bag with the hedgehog only last Tuesday week. You'd better go to your room and think it over. I shall have to tell your father directly he comes home.'

Maurice went to his room and thought it over. And the more he thought the more he hated Lord Hugh. Why couldn't the beastly cat have held his tongue and sat still? That, at the time would have been a disappointment, but now Maurice wished it had happened. He sat on the edge of his bed and savagely kicked the edge of the green Kidderminster carpet, and hated the cat.

He hadn't meant to be cruel; he was sure he hadn't; he wouldn't have pinched the cat's feet or squeezed its tail in the door, or pulled its whiskers, or poured hot water on it. He felt himself ill-used, and knew that he would feel still more so after the inevitable interview with his father.

But that interview did not take the immediately painful form expected by Maurice. His father did not say, 'Now I will show you what it feels like to be hurt.' Maurice had braced himself for that, and was looking beyond it to the calm of forgiveness which should follow the storm in which he should so unwillingly take part. No; his father was already calm and reasonable—with a dreadful calm, a terrifying reason.

'Look here, my boy,' he said. 'This cruelty to dumb animals must be checked—severely checked.'

'I didn't mean to be cruel,' said Maurice.

'Evil,' said Mr. Basingstoke, for such was Maurice's surname, 'is wrought by want of thought as well as want of heart. What about your putting the hen in the oven?'

'You know,' said Maurice, pale but determined, 'you know I only wanted to help her to get her eggs hatched quickly. It says in"Fowls for Food and Fancy" that heat hatches eggs.'

'But she hadn't any eggs,' said Mr. Basingstoke.

'But she soon would have,' urged Maurice. 'I thought a stitch in time- '

'That,' said his father, 'is the sort of thing that you must learn not to think.'

'I'll try,' said Maurice, miserably hoping for the best.

'I intend that you shall,' said Mr. Basingstoke. 'This afternoon you go to Dr. Strongitharm's for the remaining week of term. If I find any more cruelty taking place during the holidays you will go there permanently. You can go and get ready.'

'Oh, father, please not,' was all Maurice found to say.

'I'm sorry, my boy,' said his father, much more kindly; 'it's all for your own good, and it's as painful to me as it is to you—remember that. The cab will be here at four. Go and put your things together, and Jane shall pack for you.'

So the box was packed. Mabel, Maurice's kiddy sister, cried over everything as it was put in. It was a very wet day.

'If it had been any school but old Strong's,' she sobbed.

She and her brother knew that school well: its windows, dulled with wire blinds, its big alarm bell, the high walls of its grounds, bristling with spikes, the iron gates, always locked, through which gloomy boys, imprisoned, scowled on a free world. Dr. Strongitharm's was a school 'for backward and difficult boys.' Need I say more?

Well, there was no help for it. The box was packed, the cab was at the door. The farewells had been said. Maurice determined that he wouldn't cry and he didn't, which gave him the one touch of pride and joy that such a scene could yield. Then at the last moment, just as father had one leg in the cab, the Taxes called. Father went back into the house to write a cheque. Mother and Mabel had retired in tears. Maurice used the reprieve to go back after his postage-stamp album. Already he was planning how to impress the other boys at old Strong's, and his was really a very fair collection. He ran up into the schoolroom, expecting to find it empty. But some one was there: Lord Hugh, in the very middle of the ink-stained table-cloth.

'You brute,' said Maurice; 'you know jolly well I'm going away, or you wouldn't be here.' And, indeed, the room had never, somehow, been a favourite of Lord Hugh's.

'Meaow,' said Lord Hugh.

'Mew!' said Maurice, with scorn. 'That's what you always say. All that fuss about a jolly little sardine-tin. Any one would have thought you'd be only too glad to have it to play with. I wonder how you'd like being a boy? Lickings, and lessons, and impots, and sent back from breakfast to wash your ears. You wash yours anywhere—I wonder what they'd say to me if I washed my ears on the drawing-room hearthrug?'

'Meaow,' said Lord Hugh, and washed an ear, as though he were showing off.

'Mew,' said Maurice again; 'that's all you can say.'

'Oh, no, it isn't,' said Lord Hugh, and stopped his ear-washing.

'I say!' said Maurice in awestruck tones.

'If you think cats have such a jolly time,' said Lord Hugh, 'why not be a cat?'

'I would if I could,' said Maurice, 'and fight you-'

'Thank you,' said Lord Hugh.

'But I can't,' said Maurice.

'Oh, yes, you can,' said Lord Hugh. 'You've only got to say the word.'

'What word?'

Lord Hugh told him the word; but I will not tell you, for fear you should say it by accident and then be sorry.

'And if I say that, I shall turn into a cat?'

'Of course,' said the cat.

'Oh, yes, I see,' said Maurice. 'But I'm not taking any, thanks. I don't want to be a cat for always.'

'You needn't,' said Lord Hugh. 'You've only got to get some one to say to you, Please leave off being a cat and be Maurice again," and there you are.'

Maurice thought of Dr. Strongitharm's. He also thought of the horror of his father when he should find Maurice gone, vanished, not to be traced. 'He'll be sorry, then,' Maurice told himself, and to the cat he said, suddenly:-

'Right—I'll do it. What's the word, again?'

'—,' said the cat.

'—,' said Maurice; and suddenly the table shot up to the height of a house, the walls to the height of tenement buildings, the pattern on the carpet became enormous, and Maurice found himself on all fours. He tried to stand up on his feet, but his shoulders were oddly heavy. He could only rear himself upright for a moment, and then fell heavily on his hands. He looked down at them; they seemed to have grown shorter and fatter, and were encased in black fur gloves. He felt a desire