: Diana Raab
: Writing for Bliss A Seven-Step Plan for Telling Your Story and Transforming Your Life
: Loving Healing Press
: 9781615993253
: 1
: CHF 6.10
:
: Lebensführung, Persönliche Entwicklung
: English
: 240
: DRM
: PC/MAC/eReader/Tablet
: ePUB

Writing for Bliss is most fundamentally about reflection, truth, and freedom. With techniques and prompts for both the seasoned and novice writer, it will lead you to



  • tap into your creativity through storytelling and poetry,
  • examine how life-changing experiences can inspire writing,
  • pursue self-examination and self-discovery through the written word, and,
  • understand how published writers have been transformed by writing.

'Part writing guide, part memoir, and part love letter to the craft of writing, Diana Raab'sWriting for Bliss is a caring and motivational guide. Raab's love of words and her belief in the power of story shine through. With its hypnotic and personal stories, interviews with other authors, and many useful writing prompts,Writing for Bliss will find a valued spot on the bookshelves of those seeking greater understanding.'
--ANGELA WOLTMAN,FOREWORD REVIEWS
Poet and memoirist Raab (Lust) credits her lifelong love of writing and its therapeutic effects with inspiring her to write this thoughtful and detailed primer that targets pretty much anyone interested in writing a memoir. Most compelling here is Raab's willingness to share her intimate stories (e.g., the loss of a relative, ongoing struggles with cancer, a difficult relationship with her mother). Her revelations are encouraging to writers who feel they need 'permission to take... a voyage of self-discovery.' The book's seven-step plan includes plenty of guidance, including on learning to 'read like a writer,' and on addressing readers as if 'seated across the table .' Raab covers big topics such as the 'art and power of storytelling' and small details such as choosing pens and notebooks that you enjoy using.
--PUBLISHER'S WEEKLY
'Writing for Bliss is about the profound ways in which we may be transformed in and through the act of writing. I am grateful to Diana Raab for sharing it, and I trust that you will feel the same as you read on. May you savor the journey.'
--from the foreword by MARK FREEMAN, PhD
'By listening to ourselves and being aware of what we are saying and feeling, the true story of our life's past experience is revealed. Diana Raab?s book gives us the insights by which we can achieve this through her life-coaching wisdom and our writing.'
--BERNIE SIEGEL, MD, author ofThe Art of Healing
'Only a talented writer who has fought hard to overcome life?s many obstacles could take her readers by the hand and lead them through the writing process with such enormous compassion, amazing insight, and kindness. Diana Raab is a powerful, wise, intelligent guide well worth our following.'
--JAMES BROWN, author ofThe Los Angeles Diaries andThe River
'Writing for Bliss is far more than a 'how-to manual'; it enlightens the creative process with wisdom and a delightful sense of adventure. Bravo to Bliss!'
--LINDA GRAY SEXTON, author ofSearching for Mercy Street: My Journey Back to My Mother, Anne Sexton
'Uniquely blending inspiring insights with practical advice, Diana guides you on a path to discover the story that is truly inside you?and yearning to be told.'
--PATRICK SWEENEY, coauthor of the New York Times bestsellerSucceed on Your Own Terms
DIANA RAAB, PhD, is an award-winning memoirist, poet, blogger, workshop facilitator, thought provoker, and survivor. She?s the

Preface

If you follow your bliss, you put yourself on a kind of track that has been there all the while, waiting for you, and the life that you ought to be living is the one you are living. Wherever you are—if you are following your bliss, you are enjoying that refreshment, that life within you, all the time.

—Joseph Campbell

Most writers will confess that they write because they have to write, not necessarily because they want to write. They write out of necessity because either it makes them feel better or they want to share their story with the world. I fall into both these categories: writing makes me feel good; when I don’t write, I feel as if something’s missing from my life, plus I also yearn to share my stories with others in the hope that they will resonate in a way that brings healing and a deeper way of knowing and understanding.

My beginnings as a writer began when I was ten years old, writing in my journal to help me cope and heal from the suicide of my grandmother, who had also been my caretaker and had lived with us in my childhood home. I was the only child of immigrant parents who worked all day tending their retail dry-goods store in Brooklyn, New York. On Labor Day in 1964, I was at home with my grandmother. In many immigrant families of the post-World War II era, children were reared by their extended families, particularly grandparents. My grandparents lived with us, and while my grandfather spent much of his time in New York City becoming culturally acclimated, my maternal grandmother, Regina, stayed home to take care of me.

It was a hot Indian summer day common to the season. We lived in a suburban community along with other immigrant families, and I had many playmates in the neighborhood. I was excited when a friend invited me to go swimming in her pool. With a child’s enthusiasm, I knocked on my grandmother’s door to ask for permission.

There was no answer. I tried several times, but still no answer. I called to her, but there was only silence. Trembling with fear, I phoned my parents at their store. I sat with my nose pressed to the front bay window until they drove up the driveway in Dad’s pink car that matched the house’s shingles—the color he had painted them the day I was born. My parents dashed out of the car and up to Grandma’s room. Before I knew what was going on, my beloved grandmother was being carried down our creaky wooden stairs on a stretcher and put into an ambulance. I never saw her again.

Like most children, I took the experience in stride and did not think too much about it. There was no doubt that I missed my grandmother, Regina, the only grandmother I ever knew. My father’s parents had perished in the Holocaust. I was lonely for my grandmother’s company and her love. After all, she had been the one who had taught me how to type short stories on the Remington typewriter perched on the vanity table in her room. Her loving attention was something my mother was unable to provide in a meaningful way. Now in addition my mother, who had also been an only child, was dealing with her own grief over losing her mother.

My mother knew I was grieving and wanted to help me through the trauma of having lost my grandmother. Reaching out to therapists was not done in those days; and even if it had been, we would not have had the money for it. Others might have seen therapists, but it was certainly not something anyone ever talked about. My grandmother had been a journal keeper. After some contemplation on how to help me cope with the loss of this important person in my life who had also been my caretaker, my mother went to the nearest stationery store and bought me a blank, red leather journal with a saying by Kahlil Gibran on the top of each page. I had many favorites, but in coping with the loss of my grandmother, this is the one that helped me: “If you love somebody, let them go, for if they return, they were always yours. And if they don’t, they never were.”

One thing I learned from my grandmother was the importance of having love in my life. At the top of one page in my red-leather journal was Gibran’s saying, “Life without love is like a tree without blossoms or fruit.” In this page I wrote about how much my grandmother’s love meant to me and how, after losing her, my life felt so empty.

For many months after my grandmother’s suicide, my mother continued to encourage me to write down my feelings about my grandmother. Having been an English major in college, my mother thought this was the best way for me to deal with my grief.

In those days, children were unwelcome at funerals, so I was shipped off with my journal to my aunt’s and uncle’s apartment in New York City. I guess everyone thought that the funeral experience would be too traumatic an experience for me. Certainly things would be different today, at a time when kids are exposed to a lot more than funerals. For days on end after my grandmother died, I sat at my small birch desk or in my walk-in closet under the hanging clothes, writing about my grandmother and how I missed her.

Little did I realize that my m