During the Biedermeier Period, the fine arts continuously expanded their scope, enabling new encounters with their“sister arts.” This volume assembles a broad range of studies on the intermediality of art and literature between Beethoven and Heine, Goethe and Richard Wagner– questioning the preconditions for an intermedial discourse and seeking deiatary links between specific forms of semantization in the individual arts.
Stefan Keppler-Tasaki, University of Tokyo, Japan;Wolf Gerhard Schmidt, Universität Bayreuth. |
