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Issues in Contemporary Oil Paint

:	Klaas Jan van den Berg
:	Aviva Burnstock, Matthijs de Keijzer, Jay Krueger, Tom Learner, Alberto de Tagle, Gunnar Heydenreich
:	Issues in Contemporary Oil Paint
:	Springer-Verlag
:	9783319101002
:	1
:	CHF 113.70
:

:	Theoretische Chemie
:	English

:	435
:	Wasserzeichen/DRM
:	PC/MAC/eReader/Tablet
:	PDF

This volume represents 27 peer-reviewed papers presented at the ICOP 2013 symposium which will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings. The subject matter ranges from developments of paint technology, working methods of individual artists, through characterisation of paints and paint surfaces, paint degradation vs. long time stability, to observations of issues in collections, cleaning and other treatment issues as well as new conservation approaches.

Klaas Jan van den Berg Institute for Cultural Heritage, Netherlands (and Institute of the Dutch Ministry of Education, Culture and Science).

	Foreword	6
	Preface	8
	Research and Conservation	9
	Developments in Paint Technology	9
	Artists' Ideas and Working Methods: Archival Sources	10
	Case Studies of Paintings: Esthetics and Conservation Issues	10
	Paint Degradation and Analysis	11
	New Conservation Approaches	12
	Contents	14
	Twentieth Century Oil Paint. The Interface Between Science and Conservation and the Challenges for Modern Oil Paint Research	17
	Introduction	17
	Fundamental Research to Inform Conservation	19
	Classes of Surface Deterioration	20
	Optical Whitening of the Paint Surface: Efflorescence, Salts, Metal Soap Crusts	20
	The Oil Paint Model	21
	Water Sensitivity of Modern Oil Paints	24
	Designing Treatments	29
	Practical and Ethical Considerations	30
	Conclusion	31
	References	33
	Do We See What We Know or Do We Know What We See? Conservation of Oil Paintings in the Stedelijk Museum Amsterdam	36
	Introduction	36
	History	37
	Water Sensitivity	40
	Technique or Paint Quality?	45
	Conclusion	46
	References	46
	Towards Interpretation of Making, Meaning, and Change in British Twentieth Century Oil Paintings: The Relevance of an Artist's Paint Archive	48
	Introduction	48
	The Artist and St Ives, Cornwall	50
	No. 5 Porthmeor Studios	50
	Recording the Artist's Materials	51
	Paint Swatches	51
	Paint	53
	Date of Manufacture vs. Date of Execution	55
	Significance	56
	Conclusion	57
	References	58
	The Delight of Modern Organic Pigment Creations	59
	Introduction	59
	Modern Synthetic Organic Pigments Before 1950	60
	?-Naphthol Pigment Lakes	60
	BON Pigment Lakes	61
	?-Naphthols	61
	Pyrazolones	61
	Hansa Yellows	63
	Diarylides	63
	Naphthol Reds	65
	Pigment Green B	67
	Phthalocyanines	67
	Nickel Azo Yellow	69
	Modern Synthetic Organic Pigments After 1950	69
	Perinones	71
	Perylenes	71
	Dioxazine Purple	71
	Quinacridones	71
	Isoindolinones	72
	Benzimidazolones	72
	Diketopyrrolo-Pyrroles (DPPs)	74
	Appendix	75
	References	87
	Modern Oil Paints – Formulations, Organic Additives and Degradation: Some Case Studies	88
	Introduction	89
	Experimental	90