: Sebastian Domsch
: The Emergence of Literary Criticism in 18th-Century Britain Discourse between Attacks and Authority
: De Gruyter Mouton
: 9783110394757
: Buchreihe der Anglia / Anglia Book SeriesISSN
: 1
: CHF 106.50
:
: Englische Sprachwissenschaft / Literaturwissenschaft
: English
: 418
: Wasserzeichen/DRM
: PC/MAC/eReader/Tablet
: ePUB/PDF
This study is a history of literary criticism from the end of the 17th to the end of the 18th century that not only takes the discursive construction of its (self)representation into account, but also the social and economic conditions of its practice. It is distinctive through its methodology, its material of analysis, and through its results.



Sebastian Domsch, Ernst-Moritz-Arndt Universität Greifswald, Germany.

Contents5
A Note on Texts7
A. The Age of Criticism9
1 Introduction11
2 Contemporary Discussions of Criticism and the Critic20
2.1 Definitions and Evaluations: The State of Criticism20
2.2 Imagining Criticism30
B. The Authority of Criticism55
1 Critical Authority57
2 Aristocratic Authority62
2.1 Court-Wits and Gentleman Critics63
2.2 Changes in the System of Patronage79
3 The Authority of Seniority: Ancient and Modern Criticism102
4 The Authority of Poetic Genius123
4.1 The Poet as Critic125
4.2 Poets and Editors144
5 Learning: Knowledge between Authority and Pedantry158
5.1 The Pedant as Exemplary159
5.2 Polite Learning against Erudition165
5.3 Specialized Knowledge172
6 Rules and the Critic185
6.1 Power Structures188
6.2 Rules and Reason201
7 Taste and the Critic209
7.1 Debating Taste211
7.2 The Taste of the Audience221
7.3 The Standard of Taste224
8 Name-Authority: The Critic as Institution237
8.1 The Anachronistic Critic: John Dennis241
8.2 The Institutional Critic: Samuel Johnson262
9 Authority and the Marketplace277
9.1 Overproduction283
9.2 “This process of chymical criticism”: The Critic as Gate-Keeper293
10 Institutionalizing Authority: Academies and Reviews309
10.1 Courts of Criticism I: The Academy309
10.2 Courts of Criticism II: The Reviews320
10.3 “The Theatre of War”: Attacks on the Reviews349
C. Conclusion365
Distance and Democracy367
Works Cited381
Index413