: Mary Matsumoto
: Portrait of Eva's Mother
: BookBaby
: 9781623093242
: 1
: CHF 2.30
:
: Erzählende Literatur
: English
: 320
: DRM
: PC/MAC/eReader/Tablet
: ePUB
At last, EVA LINQUIST sets out on a journey she has been trying to embark on for fifty years. No matter what happens this time, she must make it home. She is determined to confront her past, to let go of the guilt she accepted long ago for her father's death, and to say good bye, once and for all, to the mother who controlled her. All this she will accomplish with the help of one yellowed slip of paper--a child's drawing of her father. Eva's bondage began on an April day in 1930. Drawn back to that time by memories as she encounters the familiar surroundings of home, Eva remembers a storm raging outside her bedroom window. Eight years old then, she slips out of the house at night to find the lost drawing she made of her father, his favorite, only to lose her way. Her father comes to her rescue, and as a result, his already serious illness takes a deadly turn. The events of the next few days usher Eva from the innocent and carefree days of childhood into a world surrounded by events that confuse and frighten her--her mother's black dress, the whispers and stares of neighbors who gather in the parlor, and most of all, the long, black coffin that rests on chairs in the middle of the room. Later, Eva is shocked to discover, lying on her pillow, the drawing she thought was lost, the very catalyst that set off the chain of events leading to her father's death. Portrait of Eva's Mother is the story of one woman's quest to find freedom. When and how she accomplishes this illustrates that it is never too late to realize our dreams.

CHAPTER TWO

“Haw!” I shouted, trying to make my eight-year-old voice sound as grown up as I felt. I was thrilled when Dan, the gentle Percheron that carried me, turned at the end of the row in response.

“Atta girl, Eva,” Pappa called. His muscular arms directed the plow as it split the earth, making long, straight furrows that looked like hungry mouths eager to swallow the seeds he would feed them later on. I smiled, sitting tall and feeling the sway of Dan’s sweaty body. My legs barely reached the curve of his back.

I turned to wave at Pappa. A few strands of thick, blond hair had pasted themselves onto his high, wet forehead. He forced a smile on a face that looked as tense as his body under the strain of the plow.

“Yaaah, I knew you could do it,min litten flicka.”

I liked the way Pappa’s accented speech dipped and climbed back up again, how he lingered over some of the syllables and slurred others, as if he were singing instead of talking. But maybe the real reason I loved the sound of Pappa’s voice was because I loved him so much--every part of him--from the earthy smell of his big, rough hands to his funny, crooked nose; the clear blue of his wide eyes to the way he held onto hisyahs when he spoke and refused to let them go.

Pappa had struggled to shed his Swedish accent, but unlike others in our rural community who had also immigrated from Sweden, he wasn’t able to shake it off completely, no matter how determined he was to speak English. Grownups said learning a new language was harder for some than others. I supposed that was true. I could understand a little Swedish but preferred to speak English, like my friends.

Like their neighbors, my parents were hard-working farmers, used to winters in the old country that were as cold or colder than Wisconsin, or so they said. But even as the days grew warmer and winter faded into spring, I worried about Pappa. He’d been sick. A week earlier, he lay in bed with a fever--the doctor called it pneumonia--and Mother didn’t think he should be up working so soon.

But Pappa was firm.

“Who’ll plant the crops? Yaaah, you probably think they’ll just pop right up out of the ground,min Frida, with no help from me.” He gave Mother a reassuring pat on her arm, then edged closer.“Det gör ingenting,” he whispered.“Don’t worry. I’ll be fine.”

Now, as Pappa worked the plow, worms and beetles rode the soil that rotated to the top, providing a feast for a flock of noisy, greedy gulls. I watched them land and take off, bobbing up and down like painted horses on a merry-go-round and imagined I was one of them. My shoulders had sprouted wings, and I was gliding over treetops to faraway lands, fairytale places where princesses waited in castles for handsome knights, like in the stories Pappa sometimes told me.

When the horse reached the end of another row, Pappa called out,“Enough. What do you say we take a break?”

He pulled a handkerchief from the rear pocket of his pants, wiped his forehead, and walked over to Dan and me. When he reached up, I slid into his open arms.

“Well, now, you did a wonderful job.” He grinned, holding me high.

All at once, he put me back on the ground, turned his head, and began to cough, a hollow, frightening sound that seemed to echo from deep inside.

“Pappa?”

He was silent for a moment, swallowed, and then his smile returned.

“I’m fine, Eva. Stop worrying about me. Yaaah, let’s worry instead about filling that empty stomach of yours.”