Creativity and the Agile Mind A Multi-Disciplinary Study of a Multi-Faceted Phenomenon
:
Tony Veale, Kurt Feyaerts, Charles Forceville
:
Creativity and the Agile Mind A Multi-Disciplinary Study of a Multi-Faceted Phenomenon
:
De Gruyter Mouton
:
9783110295290
:
Applications of Cognitive Linguistics [ACL]ISSN
:
1
:
CHF 124.30
:
:
Allgemeine und Vergleichende Sprachwissenschaft
:
English
:
380
:
Wasserzeichen
:
PC/MAC/eReader/Tablet
:
PDF
< >Creativity is a highly-prized quality in almost any domain of human endeavor, whether one is crafting tangible objects from physical materials, or mental objects from concepts, words, pictures and musical notes. It is a diverse, multi-faceted phenomenon that demands a diverse, multi-disciplinary perspective. By bringing together a wide range of creative producers and consumers, in domains as diverse as cognition, language, music, gesture, image and computation, this volume offers the student of creativity a new and exciting perspective whose many facets form a comprehensive and coherent whole.
< >
Tony Veale
, University College Dublin, Ireland;
Kurt Feyaerts
, Katol eke Universiteit Leuven, Belgium;
Charles Forceville
, Universiteit van Amsterdam, The Netherlands.
Part I: Introduction
13
1 Creativity and the Agile Mind
15
Introducing The Agile Mind
15
Understanding The Agile Mind: A Journey
16
Conceptual Agility in an Abstract Space
18
Collecting The Agile Mind: A Bird’s Eye View
30
Parting Thoughts
35
References
35
2 E Unis Pluribum: Using Mental Agility to Achieve Creative Duality in Word, Image and Sound
37
Agile Interpretation and Creative Duality
37
Agile Imagery
38
Agile Sounds
43
Agile Words
45
CRIME: An Agile Framework for Producers and Consumers
47
Conclusions
55
References
56
Part II: Computers and Creativity
59
3 Computers and Creativity
61
Introduction
61
What do we mean by ‘creativity’: Some examples
61
Cognitive mechanisms of creativity
66
Computational modeling of creativity
68
Computer-based creativity-support systems
73
Conclusions and future research
76
References
78
4 Gravital: natural language processing for computer graphics
81
Introduction
81
Computer graphics and user interfaces
82
Graphics Language Processor
84
Perception
88
Node-based interface
95
Acknowledgements
97
References
97
5 Talking Points in Linguistic Creativity
99
Introduction
99
Related Work and Ideas
102
Acquiring Conceptual Talking Points
104
Building a Slipnet of Talking Points
109
Empir
