| Preface and acknowledgements | 5 |
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| 1 Introduction | 9 |
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| 1.1 Aims and outline | 9 |
| 1.2 Basis: the ancient sources and their reception in the Renaissance | 20 |
| 1.3 Background: features of 17th- and 18th-century opera | 29 |
| 1.4 Ubiquity: the artistic reception of the Nero story | 38 |
| 2 Nero in opera | 45 |
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| 2.1 Busenello, L’incoronazione di Poppea (1642/43) | 45 |
| 2.2 Nero, Der Verzweifelte Und dadurch Das bedrengte Reich Befreyende (1663) | 54 |
| 2.3 Aureli, Claudio Cesare (1671/72) | 59 |
| 2.4 Corradi, Il Nerone / Nero (1678/79 / 1693) | 66 |
| 2.5 Nero, Der verzweiffelte Selbst-Mörder (1685) | 79 |
| 2.6 Contri, Agrippina in Baia (1687) | 85 |
| 2.7 Neri, L’ingresso alla gioventù di Claudio Nerone (1692) | 93 |
| 2.8 Noris, Nerone fatto Cesare (1692/93) | 103 |
| 2.9 Noris, Il ripudio d’Ottavia (1699) | 131 |
| 2.10 Silvani, La fortezza al cimento (1699) | 24 |
| 2.11 Feustking, Nero (1705) | 158 |
| 2.12 Feind, Octavia (1705) | 167 |
| 2.13 Grimani, Agrippina (1709) | 178 |
| 2.14 Piovene, Nerone / Nero (1721 / 1723) | 188 |
| 2.15 ‘Cimbaloni’, Nerone detronato (1725/26) | 201 |
| 2.16 Salfi, La congiura pisoniana (1797) | 208 |
| 2.17 Barbier, Néron (1879) | 216 |
| 2.18 Catelli, Nerone (1888) | 224 |
| 2.19 Boito, Nerone (1901 / 1924) | 233 |
| 2.20 Manén, Acté (1903 / 1908) | Neró i Acté / Nero und Acté (1928) |
| 2.21 Cain, Quo vadis? (1908/09) | 248 |
| 2.22 Targioni-Tozzetti, Nerone (1935) | 254 |
| 3 Nero in pieces of other performative genres | 263 |
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| 3.1 Lohenstein, Agrippina (1665) - spoken drama | 263 |
| 3.2 Lohenstein, Epicharis (1665) - spoken drama | 269 |
| 3.3 Biancolelli, Il Nerone (1666) - spoken drama | 276 |
| 3.4 Boccaccio, Il Nerone (1675) - spoken drama | 285 |
| 3.5 Leva, Il Nerone (c. 1675-80) - spoken drama | 295 |
| 3.6 Lazarino, Gli sponsali per l’impero (1682) - spoken drama | 306 |
| 3.7 Alfieri, Ottavia (1783) - spoken drama | 317 |
| 3.8 Legouvé, Épicharis et Neron (1794) - spoken drama | 323 |
| 3.9 Panzieri, La morte di Nerone (1815/16) - ballet | 331 |
| 3.10 Cossa, Nerone (1871) - spoken drama | 337 |
| 3.11 Pallerini, Nerone (1877) - ballet | 347 |
| 4 Conclusions | 355 |
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| Appendices | 367 |
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| App. 1: frequency and distribution of key motifs and main characters | 367 |
| App. 2: overview of all dramatic characters and their background | 374 |
| Bibliography | 403 |