| CONTENTS | 5 |
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| Introduction | 7 |
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| I. Aesthetic Investigations | 13 |
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| Tractarian Aesthetics | 15 |
| Aesthetics as Methodology in Ludwig Wittgenstein’s Thought: The Operational Character of Family Resemblances | 25 |
| His (Freud) Explanation Does What Aesthetics Does: it Puts Two Factors Together | 45 |
| II. Aesthetic Grammar | 61 |
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| Visual Space as Aesthetic Problem | 63 |
| Seeing as and Semantic Expansion | 81 |
| Conceptual Cartography and Aesthetics – | 81 |
| Conceptual Cartography and Aesthetics – | 81 |
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| 97 | 81 |
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| III. Musical Understanding | 115 |
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| Typology and Functions of “Hearing-as” | 117 |
| Notes on Aesthetic Comprehension | 117 |
| Notes on Aesthetic Comprehension | 117 |
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| 129 | 117 |
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| Musical Analysis versus Grammatical Analysis | 117 |
| Musical Analysis versus Grammatical Analysis | 117 |
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| 141 | 117 |
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| IV. Ethics and Aesthetics | 159 |
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| Prolegomenon to a Morality of Music | 161 |
| From Art to Ethics | 161 |
| From Art to Ethics | 161 |
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| 167 | 161 |
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| V. Theory of Art | 181 |
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| Art as Document | 183 |
| From Language Games to Analytic Iconography | 183 |
| From Language Games to Analytic Iconography | 183 |
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| 195 | 183 |
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| INDEX NOMINUM | 213 |