| Turning Points as Metaphors and Mininarrations: Analysing Concepts of Change in Literature and Other Media | 11 |
|---|
| I. Conceptualising Turning Points in Narrative Theory | 39 |
|---|
| “With the Benefit of Hindsight”: Features and Functions of Turning Points as a Narratological Concept and as a Way of Self-Making | 41 |
| Turning Points in the Nineteenth-Century Novella: Poetic Negotiations and the Representation of Social Rituals | 69 |
| Iterative Narration and Other Forms of Resistance to Peripeties in Modernist Writing | 83 |
| The Missing Turning Points in the Story: Musil's Der Mann ohne Eigenschaften Between Ethics and Epistemology | 95 |
| “If the Stranger hadn’t been there! But he was!” Causal, Virtual and Evaluative Dimensions of Turning Points in Alternate Histories, Science-Fiction Stories and Multiverse Narratives | 117 |
| II. Narratives of Cultural Change in Literature and Visual media | 133 |
|---|
| On the Threshold: The Brothel and the Literary Salon as Heterotopias in Finnish Urban Novels | 135 |
| Long Waves or Vanishing Points? A Cognitive Approach to the Literary Construction of History | 155 |
| (Re)Turn to Dystopia: Community Feeling in M. Night Shyamalan’s The Village | 169 |
| Remediating Turning Points for Conviviality and Englishness in Contemporary Black British Literature | 185 |
| This Is (Not) It: Rate, Rattle and Roll in the Struggle for Financial Narratives | 201 |
| III. Turning Point Narratives in Literary and Cinematic Life-Writing | 221 |
|---|
| Turning a Slave Into a Freeman: Frederick Douglass, Photography and the Formation of African American Fiction | 223 |
| Reframing Absence: Masquerade as Turning Point in Du Maurier’s and Hitchcock’s Rebecca | 239 |
| Player in the Dark: Mourning the Loss of the Moral Foundation of Art in Woody Allen’s Match Point | 255 |
| Roots, Seduction and Mestiçagem in José Eduardo Agualusa’s My Father’s Wives | 279 |
| A Middle Passage to Modernity: Reflections on David Dabydeen’s Postmodern Slave Narrative A Harlot’s Progress | 295 |
| Becoming the ‘Other’: Metamorphosis and ‘Turning Points’ in Katja Lange-Müller and Yoko Tawada | 311 |
| IV. Constructing Turning Points in Literary History | 327 |
|---|
| Lay Pamphlets in Early Reformation: Turning Points in Religious Discourse and the Pamphlet Genre? | 329 |
| The King is Dead, Long Live. the Queen: Turning Points in Panegyric Writing – Queen Christina of Sweden (1626-1689) | 347 |
| Writing New Worlds: Eberhard Werner Happel and the Invention of a Genre | 361 |
| Dickens and The Pickwick Papers: Unstable Signs in a Transmodal Discourse | 371 |
| Bridget Jones’s Diary: A Case Study of Austen Fan Fiction | 381 |
| New Media and the Novel: A Survey of Generic Trends in Contemporary Literature | 397 |
| V. (De)Constructing Turning Points in Literary Theory | 415 |
|---|
| On the Linguistic Turns in the Humanities and Their Effect on Literary Studies | 417 |
| Turning Points and Mutuality in Literature and Psychoanalysis | 435 |
| The Speaking Animal Speaking the Animal: Three Turning Points in Thinking the Animal | 447 |
| Notes on Contributors | 463 |