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Transdisciplinary Digital Art Sound, Vision and the New Screen

:	Randy Adams, Steve Gibson, Stefan Müller Arisona
:	Transdisciplinary Digital Art Sound, Vision and the New Screen
:	Springer-Verlag
:	9783540794868
:	1
:	CHF 80.70
:

:	Informatik, EDV
:	English

:	510
:	DRM
:	PC/MAC/eReader/Tablet
:	PDF

This volume collects selected papers from the past two instances of Digital Art Weeks (Zurich, Switzerland) and Interactive Futures (Victoria, BC, Canada), two parallel festivals of digital media art. The work represented in Transdisciplinary Digital Art is a confirmation of the vitality and breadth of the digital arts. Collecting essays that broadly encompass the digital arts, Transdisciplinary Digital Art gives a clear overview of the on-going strength of scientific, philosophical, aesthetic and artistic research that makes digital art perhaps the defining medium of the 21st Century.

	Preface	5
	Table of Contents	7
	Introduction: Why Transdisciplinary Digital Art?	10
	Why Transdisciplinary Digital Art?	10
	Why Digital Art?	11
	ANote on {\it Digital Art} Weeks and {\it Interactive} Futures	11
	Part I Philosophies of the Digital	12
	The Ethics of Aesthetics	14
	Introduction	14
	Aesthetics	14
	The Process of Aesthetic Judgement	15
	Influences of Aesthetic Judgements	16
	Aesthetics and Ethics	17
	Aesthetics and Attitudes	18
	Aesthetic Judgements and Entities	19
	Promotion	20
	Media Subterfuges	20
	Conclusion	21
	References	22
	Ethical and Activist Considerations of the Technological Artwork	24
	References	33
	DIY: The Militant Embrace of Technology	35
	References	41
	Tuning in Rorschach Maps	42
	Introduction	43
	Mapping	44
	ReMapping	45
	Graphing Maps	47
	Impossible Graphing and Mapping:	48
	Rhizomic Structures	49
	Collective Images	51
	Conclusion: Tuning	51
	References	54
	Body Degree Zero Anatomy of an Interactive Performance	55
	Which of My Selves?	55
	Mimesis and Distanciation	56
	The Einstein's Brain Project	57
	Body Degree Zero	58
	The Performance	62
	Pattern Recognition	64
	Conclusion	66
	The HyperMorphic and the TransOrganic	67
	Artificial, Natural, Historical Acoustic Ambiguities in Documentary Film	69
	The Authentic Source	69
	Natural and Artificial	71
	The Sound of Home	72
	Sound and Formalism	74
	The Colour of Time (God Is a Lobster and Other Forbidden Bodies)	80
	Behind the Screen: Installations from the Interactive Future	89
	Overview	89
	Fauna of Screens	90
	First Iteration: Circumstantial Evidence	91
	Second Iteration: Facebooks and Monkey-Cliques	93
	Third Iteration: Babelling Identities	95
	Fourth Iteration: Self-imagining Otherwise	98
	Fifth Iteration: Digital Dreams and Delusions	100
	Sixth Iteration: A Digital Analogue	102
	Behind the Screen	104
	References	105
	Transliteracy and New Media	110
	References	117
	Digital Archiving and	117
	Digital Archiving and	117
	119	117
	Introduction	119
	Assumptions	120
	Out with the Old	120
	Archiving: Why?	120
	Archiving: How?	122
	Archiving: Whose Responsibility?	123
	Questions/Pushback	124
	Reflections/Conclusion	126
	References	128
	Digital Fiction: From the Page to the Screen	129
	The Present [Future] of Electronic Literature	136
	Introduction	136
	Hayles’ Overview of Electronic Literature and Its Genres	137
	Electronic Literature Described	137
	Hayles’ Genres of 3D Works	138
	Other 3D Genres	141
	Multimedia Game Narratives	142
	Corporeal Poetry	145
	Pre-print Multimedia	148
	References	149
	Tr